Doeskin Gray vs Raisin Cake
Doeskin Gray (Behr) and Raisin Cake (Dulux) come from different manufacturers. These are both greys, so the question isn't which hue to choose — it's where within grey to land. The 45-point LRV gap — 56 for Doeskin Gray vs 11 for Raisin Cake — means Doeskin Gray will open up a space more effectively. Where Doeskin Gray leans red, Raisin Cake reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.8 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Doeskin Gray vs Raisin Cake in Real Spaces
1 real room side by side. Doeskin Gray and Raisin Cake are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Doeskin Gray reflects noticeably more light off the walls, making the space read more open than Raisin Cake.
Color Details
Doeskin Gray vs Raisin Cake Simulated Comparison
5 simulated room previews — drag the slider on each to see Doeskin Gray on one side and Raisin Cake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Doeskin Gray comparisons
See how Doeskin Gray stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 56), opening up a space where Doeskin Gray encloses it.
At LRV 83 vs 56, White Dove is decisively the brighter choice.
At LRV 56 vs 6, Doeskin Gray is decisively the brighter choice.
Doeskin Gray reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.
Doeskin Gray reflects far more light (LRV 56 vs 30), opening up a space where Evergreen Fog encloses it.
A 4-point LRV gap (56 vs 52) makes Doeskin Gray the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 56), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 56), so neither reads brighter in a room.
At LRV 56 vs 27, Doeskin Gray is decisively the brighter choice.
Doeskin Gray reflects far more light (LRV 56 vs 43), opening up a space where French Gray encloses it.
Doeskin Gray reflects far more light (LRV 56 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 56 vs 55), so neither reads brighter in a room.
At LRV 56 vs 13, Doeskin Gray is decisively the brighter choice.
At LRV 56 vs 44, Doeskin Gray is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 56), opening up a space where Doeskin Gray encloses it.
Doeskin Gray reflects far more light (LRV 56 vs 21), opening up a space where Artichoke encloses it.
A 10-point LRV gap (66 vs 56) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 56, Shoji White is decisively the brighter choice.
At LRV 83 vs 56, Snowbound is decisively the brighter choice.
Doeskin Gray reads slightly lighter (LRV 56 vs 51), a gap that shows most in low-lit rooms.
At LRV 56 vs 12, Doeskin Gray is decisively the brighter choice.
At LRV 56 vs 8, Doeskin Gray is decisively the brighter choice.
At LRV 68 vs 56, Skimming Stone is decisively the brighter choice.
Doeskin Gray reflects far more light (LRV 56 vs 41), opening up a space where Dix Blue encloses it.
At LRV 56 vs 12, Doeskin Gray is decisively the brighter choice.
A 11-point LRV gap (56 vs 45) makes Doeskin Gray the marginally brighter of the two.
Doeskin Gray reflects far more light (LRV 56 vs 31), opening up a space where Pale Green encloses it.