Inferno vs Raucous Orange
Inferno is a Behr color while Raucous Orange comes from Sherwin-Williams. Inferno reads as pink-red, while Raucous Orange reads as beige-pink — two distinct hue families, not close cousins. With LRVs of 20 and 18, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Inferno's red character against Raucous Orange's warm — becomes most visible against white trim or in morning light. At ΔE 9.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Inferno vs Raucous Orange in Real Spaces
1 real room side by side. Inferno and Raucous Orange are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Inferno vs Raucous Orange Simulated Comparison
5 simulated room previews — drag the slider on each to see Inferno on one side and Raucous Orange on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Inferno comparisons
See how Inferno stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 20, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Inferno encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Inferno encloses it.
At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.
A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 20), opening up a space where Inferno encloses it.
At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 20, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 20), opening up a space where Inferno encloses it.
At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 20, Shoji White is decisively the brighter choice.
A 8-point LRV gap (20 vs 12) makes Inferno the marginally brighter of the two.
A 12-point LRV gap (20 vs 8) makes Inferno the marginally brighter of the two.
At LRV 68 vs 20, Skimming Stone is decisively the brighter choice.
A 8-point LRV gap (20 vs 12) makes Inferno the marginally brighter of the two.
At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.