Distant Gray vs RAL 120-2
Distant Gray (Benjamin Moore) and RAL 120-2 (RAL Effect) come from different manufacturers. Distant Gray reads as green-grey, while RAL 120-2 reads as beige-greige — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 88 vs 88 — so neither will read significantly brighter or darker than the other. A ΔE of 1.7 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Distant Gray vs RAL 120-2 in Real Spaces
4 real rooms side by side. Distant Gray and RAL 120-2 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Distant Gray vs RAL 120-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Distant Gray on one side and RAL 120-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Distant Gray comparisons
See how Distant Gray stacks up against other well-photographed colors across different brands and tones.
Distant Gray reflects far more light (LRV 88 vs 69), opening up a space where Ammonite encloses it.
A 5-point LRV gap (88 vs 83) makes Distant Gray the marginally brighter of the two.
At LRV 88 vs 6, Distant Gray is decisively the brighter choice.
Distant Gray reflects far more light (LRV 88 vs 52), opening up a space where Purbeck Stone encloses it.
Distant Gray reflects far more light (LRV 88 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 88 vs 52, Distant Gray is decisively the brighter choice.
Distant Gray reflects far more light (LRV 88 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 88 vs 58, Distant Gray is decisively the brighter choice.
At LRV 88 vs 27, Distant Gray is decisively the brighter choice.
Distant Gray reflects far more light (LRV 88 vs 43), opening up a space where French Gray encloses it.
Distant Gray reflects far more light (LRV 88 vs 4), opening up a space where Naval encloses it.
At LRV 88 vs 55, Distant Gray is decisively the brighter choice.
At LRV 88 vs 13, Distant Gray is decisively the brighter choice.
At LRV 88 vs 44, Distant Gray is decisively the brighter choice.
Distant Gray reads slightly lighter (LRV 88 vs 84), a gap that shows most in low-lit rooms.
Distant Gray reflects far more light (LRV 88 vs 21), opening up a space where Artichoke encloses it.
At LRV 88 vs 66, Distant Gray is decisively the brighter choice.
At LRV 88 vs 74, Distant Gray is decisively the brighter choice.
A 5-point LRV gap (88 vs 83) makes Distant Gray the marginally brighter of the two.
Distant Gray reflects far more light (LRV 88 vs 51), opening up a space where Pigeon encloses it.
At LRV 88 vs 12, Distant Gray is decisively the brighter choice.
At LRV 88 vs 8, Distant Gray is decisively the brighter choice.
At LRV 88 vs 68, Distant Gray is decisively the brighter choice.
Distant Gray reflects far more light (LRV 88 vs 41), opening up a space where Dix Blue encloses it.
At LRV 88 vs 12, Distant Gray is decisively the brighter choice.
At LRV 88 vs 45, Distant Gray is decisively the brighter choice.
Distant Gray reflects far more light (LRV 88 vs 31), opening up a space where Pale Green encloses it.