Gray Owl vs Hicks' Blue
Gray Owl is a Benjamin Moore color while Hicks' Blue comes from Little Greene. Gray Owl reads as grey, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Gray Owl has an LRV of 65. The tonal difference — Gray Owl's yellow character against Hicks' Blue's blue — becomes most visible against white trim or in morning light. At ΔE 50.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Gray Owl vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Gray Owl and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Gray Owl vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Gray Owl on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gray Owl comparisons
See how Gray Owl stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Gray Owl reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Gray Owl reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Gray Owl the marginally brighter of the two.
At LRV 65 vs 27, Gray Owl is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Gray Owl the marginally brighter of the two.
At LRV 65 vs 44, Gray Owl is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Gray Owl encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Gray Owl is decisively the brighter choice.
At LRV 65 vs 8, Gray Owl is decisively the brighter choice.
A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Gray Owl is decisively the brighter choice.
At LRV 65 vs 45, Gray Owl is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Gray Owl reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.