Metro Gray vs Pigeon
Metro Gray is a Benjamin Moore color while Pigeon comes from Farrow & Ball. These are both greys, so the question isn't which hue to choose — it's where within grey to land. At LRV 58 vs 51, Metro Gray will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. The tonal difference — Metro Gray's yellow character against Pigeon's neutral — becomes most visible against white trim or in morning light. At ΔE 16.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Metro Gray vs Pigeon in Real Spaces
1 real room side by side. Seeing Metro Gray and Pigeon in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The brightness difference is modest but present — Metro Gray gives the walls a little more lift.
Color Details
Metro Gray vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Metro Gray on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Metro Gray comparisons
See how Metro Gray stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 58), a gap that shows most in low-lit rooms.
At LRV 83 vs 58, White Dove is decisively the brighter choice.
At LRV 58 vs 6, Metro Gray is decisively the brighter choice.
Metro Gray reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Metro Gray reflects far more light (LRV 58 vs 30), opening up a space where Evergreen Fog encloses it.
A 7-point LRV gap (58 vs 52) makes Metro Gray the marginally brighter of the two.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 58 vs 58), so neither reads brighter in a room.
At LRV 58 vs 27, Metro Gray is decisively the brighter choice.
Metro Gray reflects far more light (LRV 58 vs 43), opening up a space where French Gray encloses it.
Metro Gray reflects far more light (LRV 58 vs 4), opening up a space where Naval encloses it.
A 3-point LRV gap (58 vs 55) makes Metro Gray the marginally brighter of the two.
At LRV 58 vs 13, Metro Gray is decisively the brighter choice.
At LRV 58 vs 44, Metro Gray is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 58), opening up a space where Metro Gray encloses it.
Metro Gray reflects far more light (LRV 58 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (66 vs 58) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 58, Shoji White is decisively the brighter choice.
At LRV 83 vs 58, Snowbound is decisively the brighter choice.
At LRV 58 vs 12, Metro Gray is decisively the brighter choice.
At LRV 58 vs 8, Metro Gray is decisively the brighter choice.
A 10-point LRV gap (68 vs 58) makes Skimming Stone the marginally brighter of the two.
Metro Gray reflects far more light (LRV 58 vs 41), opening up a space where Dix Blue encloses it.
At LRV 58 vs 12, Metro Gray is decisively the brighter choice.
At LRV 58 vs 45, Metro Gray is decisively the brighter choice.
Metro Gray reflects far more light (LRV 58 vs 31), opening up a space where Pale Green encloses it.
Metro Gray reflects far more light (LRV 58 vs 7), opening up a space where Pine Needle encloses it.