Somerville Red vs RAL 480-M
Where Somerville Red belongs to Benjamin Moore's range, RAL 480-M is a RAL Effect color. Somerville Red reads as pink-red, while RAL 480-M reads as pink — two distinct hue families, not close cousins. RAL 480-M (LRV 24) reflects noticeably more light than Somerville Red (LRV 19), a difference of 4 points that becomes especially apparent in rooms with limited natural light. The ΔE 5.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Somerville Red vs RAL 480-M in Real Spaces
1 real room side by side. Somerville Red and RAL 480-M are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — RAL 480-M gives the walls a little more lift.
Color Details
Somerville Red vs RAL 480-M Simulated Comparison
5 simulated room previews — drag the slider on each to see Somerville Red on one side and RAL 480-M on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Somerville Red comparisons
See how Somerville Red stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 19), opening up a space where Somerville Red encloses it.
At LRV 83 vs 19, White Dove is decisively the brighter choice.
At LRV 19 vs 6, Somerville Red is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where Somerville Red encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.
At LRV 52 vs 19, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 19), opening up a space where Somerville Red encloses it.
At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 19), opening up a space where Somerville Red encloses it.
Somerville Red reflects far more light (LRV 19 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.
A 6-point LRV gap (19 vs 13) makes Somerville Red the marginally brighter of the two.
At LRV 44 vs 19, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 19), opening up a space where Somerville Red encloses it.
With LRVs of 21 and 19, the two reflect almost the same amount of light.
At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 19, Shoji White is decisively the brighter choice.
At LRV 83 vs 19, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 19), opening up a space where Somerville Red encloses it.
A 8-point LRV gap (19 vs 12) makes Somerville Red the marginally brighter of the two.
A 11-point LRV gap (19 vs 8) makes Somerville Red the marginally brighter of the two.
At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 19), opening up a space where Somerville Red encloses it.
A 8-point LRV gap (19 vs 12) makes Somerville Red the marginally brighter of the two.
At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 19), a gap that shows most in low-lit rooms.