Vintage Redware vs Denim Drift
Where Vintage Redware belongs to Benjamin Moore's range, Denim Drift is a Dulux color. Vintage Redware reads as pink-red, while Denim Drift reads as blue-grey — two distinct hue families, not close cousins. Denim Drift (LRV 27) reflects noticeably more light than Vintage Redware (LRV 13), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Vintage Redware runs warm while Denim Drift is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 49.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Vintage Redware vs Denim Drift Simulated Comparison
5 simulated room previews — drag the slider on each to see Vintage Redware on one side and Denim Drift on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Vintage Redware comparisons
See how Vintage Redware stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 13, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Vintage Redware encloses it.
Vintage Redware reads slightly lighter (LRV 13 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
A 9-point LRV gap (13 vs 4) makes Vintage Redware the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Vintage Redware encloses it.
With LRVs of 13 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
A 8-point LRV gap (21 vs 13) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Vintage Redware encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Vintage Redware encloses it.
Snowbound reflects far more light (LRV 83 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 51 vs 13, Pigeon is decisively the brighter choice.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Vintage Redware reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 41 vs 13, Dix Blue is decisively the brighter choice.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Vintage Redware encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes Vintage Redware the marginally brighter of the two.