In the Hills vs Fieldstone
Where In the Hills belongs to Cloverdale Paint's range, Fieldstone is a PPG color. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (40 vs 40), so they'll read as similarly Medium in most lighting conditions. At ΔE 1.6, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In the Hills vs Fieldstone in Real Spaces
5 real rooms side by side. In the Hills and Fieldstone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
In the Hills vs Fieldstone Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Hills on one side and Fieldstone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Hills comparisons
See how In the Hills stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 40, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 40), opening up a space where In the Hills encloses it.
In the Hills reflects far more light (LRV 40 vs 6), opening up a space where Iron Ore encloses it.
A 12-point LRV gap (52 vs 40) makes Purbeck Stone the marginally brighter of the two.
A 10-point LRV gap (40 vs 30) makes In the Hills the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 40), a gap that shows most in low-lit rooms.
At LRV 60 vs 40, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 40), opening up a space where In the Hills encloses it.
In the Hills reflects far more light (LRV 40 vs 27), opening up a space where Denim Drift encloses it.
A 3-point LRV gap (43 vs 40) makes French Gray the marginally brighter of the two.
At LRV 40 vs 4, In the Hills is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 40), opening up a space where In the Hills encloses it.
In the Hills reflects far more light (LRV 40 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 40), a gap that shows most in low-lit rooms.
At LRV 84 vs 40, Pure White is decisively the brighter choice.
At LRV 40 vs 21, In the Hills is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 40), opening up a space where In the Hills encloses it.
Shoji White reflects far more light (LRV 74 vs 40), opening up a space where In the Hills encloses it.
Snowbound reflects far more light (LRV 83 vs 40), opening up a space where In the Hills encloses it.
A 11-point LRV gap (51 vs 40) makes Pigeon the marginally brighter of the two.
In the Hills reflects far more light (LRV 40 vs 12), opening up a space where Pewter Green encloses it.
In the Hills reflects far more light (LRV 40 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 40), opening up a space where In the Hills encloses it.
Their light reflectance is nearly identical (LRV 41 vs 40), so neither reads brighter in a room.
In the Hills reflects far more light (LRV 40 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 40), a gap that shows most in low-lit rooms.
A 9-point LRV gap (40 vs 31) makes In the Hills the marginally brighter of the two.