Overcast vs RAL 110-2
Overcast (Cloverdale Paint) and RAL 110-2 (RAL Effect) come from different manufacturers. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 73 vs 72 — so neither will read significantly brighter or darker than the other. A ΔE of 0.7 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Overcast vs RAL 110-2 in Real Spaces
4 real rooms side by side. Overcast and RAL 110-2 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Overcast vs RAL 110-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Overcast on one side and RAL 110-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Overcast comparisons
See how Overcast stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (83 vs 73) makes White Dove the marginally brighter of the two.
Overcast reflects far more light (LRV 73 vs 52), opening up a space where Purbeck Stone encloses it.
Overcast reflects far more light (LRV 73 vs 30), opening up a space where Evergreen Fog encloses it.
Overcast reflects far more light (LRV 73 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 73 vs 58, Overcast is decisively the brighter choice.
At LRV 73 vs 27, Overcast is decisively the brighter choice.
Overcast reflects far more light (LRV 73 vs 43), opening up a space where French Gray encloses it.
At LRV 73 vs 55, Overcast is decisively the brighter choice.
At LRV 73 vs 44, Overcast is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 73), a gap that shows most in low-lit rooms.
A 7-point LRV gap (73 vs 66) makes Overcast the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 73), so neither reads brighter in a room.
At LRV 73 vs 12, Overcast is decisively the brighter choice.
At LRV 73 vs 8, Overcast is decisively the brighter choice.
A 5-point LRV gap (73 vs 68) makes Overcast the marginally brighter of the two.
At LRV 73 vs 12, Overcast is decisively the brighter choice.
At LRV 73 vs 45, Overcast is decisively the brighter choice.
Overcast reflects far more light (LRV 73 vs 31), opening up a space where Pale Green encloses it.