Queen of the Night vs Purbeck Stone
Where Queen of the Night belongs to Cloverdale Paint's range, Purbeck Stone is a Farrow & Ball color. Hue-wise, Queen of the Night belongs to the blue family and Purbeck Stone to the greige-grey family. Purbeck Stone (LRV 52) reflects noticeably more light than Queen of the Night (LRV 10), a difference of 42 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 45.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Queen of the Night vs Purbeck Stone in Real Spaces
5 real rooms side by side. Seeing Queen of the Night and Purbeck Stone in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Purbeck Stone will make the room feel meaningfully brighter than Queen of the Night would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Purbeck Stone reflects noticeably more light off the walls, making the space read more open than Queen of the Night.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Purbeck Stone reflects noticeably more light off the walls, making the space read more open than Queen of the Night.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Purbeck Stone returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Purbeck Stone reflects noticeably more light off the walls, making the space read more open than Queen of the Night.
Color Details
Queen of the Night vs Purbeck Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Queen of the Night on one side and Purbeck Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Queen of the Night comparisons
See how Queen of the Night stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 10), opening up a space where Queen of the Night encloses it.
At LRV 83 vs 10, White Dove is decisively the brighter choice.
A 4-point LRV gap (10 vs 6) makes Queen of the Night the marginally brighter of the two.
Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where Queen of the Night encloses it.
At LRV 52 vs 10, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where Queen of the Night encloses it.
At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 10, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 10), opening up a space where Queen of the Night encloses it.
Queen of the Night reads slightly lighter (LRV 10 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.
A 3-point LRV gap (13 vs 10) makes Bancha the marginally brighter of the two.
At LRV 44 vs 10, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 10), opening up a space where Queen of the Night encloses it.
Artichoke reads slightly lighter (LRV 21 vs 10), a gap that shows most in low-lit rooms.
At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 10, Shoji White is decisively the brighter choice.
At LRV 83 vs 10, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 10), opening up a space where Queen of the Night encloses it.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 10 vs 8), so neither reads brighter in a room.
At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 10), opening up a space where Queen of the Night encloses it.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 10), opening up a space where Queen of the Night encloses it.
Queen of the Night reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.