Rye vs Split Pink
Where Rye belongs to Cloverdale Paint's range, Split Pink is a Little Greene color. Rye reads as beige, while Split Pink reads as beige-greige — two distinct hue families, not close cousins. Rye (LRV 32) reflects noticeably more light than Split Pink (LRV 25), a difference of 7 points that becomes especially apparent in rooms with limited natural light. The ΔE 7.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Rye vs Split Pink in Real Spaces
2 real rooms side by side. Rye and Split Pink are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Rye gives the walls a little more lift.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Rye reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Rye vs Split Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see Rye on one side and Split Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rye comparisons
See how Rye stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Rye encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Rye encloses it.
Rye reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Rye encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Rye encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Rye reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Rye encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.