Shooting Star vs Agreeable Gray
Shooting Star is a Cloverdale Paint color while Agreeable Gray comes from Sherwin-Williams. Hue-wise, Shooting Star belongs to the beige-pink family and Agreeable Gray to the greige-grey family. With LRVs of 59 and 60, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 28.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Shooting Star vs Agreeable Gray in Real Spaces
5 real rooms side by side. Seeing Shooting Star and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Shooting Star vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Shooting Star on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Shooting Star comparisons
See how Shooting Star stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Shooting Star encloses it.
Shooting Star reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
A 7-point LRV gap (59 vs 52) makes Shooting Star the marginally brighter of the two.
At LRV 59 vs 30, Shooting Star is decisively the brighter choice.
Shooting Star reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Shooting Star reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Shooting Star is decisively the brighter choice.
At LRV 59 vs 4, Shooting Star is decisively the brighter choice.
Shooting Star reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Shooting Star reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Shooting Star reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Shooting Star is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Shooting Star encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Shooting Star encloses it.
A 8-point LRV gap (59 vs 51) makes Shooting Star the marginally brighter of the two.
Shooting Star reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Shooting Star reflects far more light (LRV 59 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Shooting Star is decisively the brighter choice.
Shooting Star reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Shooting Star reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Shooting Star is decisively the brighter choice.
At LRV 59 vs 7, Shooting Star is decisively the brighter choice.