White Smoke vs Mizzle
White Smoke is a Cloverdale Paint color while Mizzle comes from Farrow & Ball. Hue-wise, White Smoke belongs to the grey-white family and Mizzle to the grey family. At LRV 60 vs 52, White Smoke will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. At ΔE 6.7, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
White Smoke vs Mizzle in Real Spaces
5 real rooms side by side. White Smoke and Mizzle are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. White Smoke returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that White Smoke will make the room feel meaningfully brighter than Mizzle would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that White Smoke will make the room feel meaningfully brighter than Mizzle would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. White Smoke reflects noticeably more light off the walls, making the space read more open than Mizzle.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that White Smoke will make the room feel meaningfully brighter than Mizzle would.
Color Details
White Smoke vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see White Smoke on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More White Smoke comparisons
See how White Smoke stacks up against other well-photographed colors across different brands and tones.


Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.


At LRV 83 vs 60, White Dove is decisively the brighter choice.


At LRV 60 vs 6, White Smoke is decisively the brighter choice.


White Smoke reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.


White Smoke reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.


With LRVs of 60 and 60, the two reflect almost the same amount of light.


Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.


At LRV 60 vs 27, White Smoke is decisively the brighter choice.


White Smoke reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.


White Smoke reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.


A 5-point LRV gap (60 vs 55) makes White Smoke the marginally brighter of the two.


At LRV 60 vs 13, White Smoke is decisively the brighter choice.


At LRV 60 vs 44, White Smoke is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 60), opening up a space where White Smoke encloses it.


White Smoke reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.


A 6-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.


At LRV 74 vs 60, Shoji White is decisively the brighter choice.


At LRV 83 vs 60, Snowbound is decisively the brighter choice.


White Smoke reads slightly lighter (LRV 60 vs 51), a gap that shows most in low-lit rooms.


At LRV 60 vs 12, White Smoke is decisively the brighter choice.


At LRV 60 vs 8, White Smoke is decisively the brighter choice.


A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.


White Smoke reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.


At LRV 60 vs 12, White Smoke is decisively the brighter choice.


At LRV 60 vs 45, White Smoke is decisively the brighter choice.


White Smoke reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.


White Smoke reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.























