
James White vs Mirror
James White is a Farrow & Ball color while Mirror comes from Little Greene. James White reads as beige-white, while Mirror reads as beige-yellow — two distinct hue families, not close cousins. At LRV 81 vs 77, James White will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. The tonal difference — James White's warm character against Mirror's yellow — becomes most visible against white trim or in morning light. With a ΔE of 2.8, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
James White vs Mirror Simulated Comparison
5 simulated room previews — drag the slider on each to see James White on one side and Mirror on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More James White comparisons
See how James White stacks up against other well-photographed colors across different brands and tones.


James White reads slightly lighter (LRV 81 vs 69), a gap that shows most in low-lit rooms.


Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.


At LRV 81 vs 6, James White is decisively the brighter choice.


James White reflects far more light (LRV 81 vs 52), opening up a space where Purbeck Stone encloses it.


James White reflects far more light (LRV 81 vs 30), opening up a space where Evergreen Fog encloses it.


At LRV 81 vs 52, James White is decisively the brighter choice.


James White reflects far more light (LRV 81 vs 60), opening up a space where Agreeable Gray encloses it.


At LRV 81 vs 58, James White is decisively the brighter choice.


At LRV 81 vs 27, James White is decisively the brighter choice.



James White reflects far more light (LRV 81 vs 43), opening up a space where French Gray encloses it.


James White reflects far more light (LRV 81 vs 4), opening up a space where Naval encloses it.


At LRV 81 vs 55, James White is decisively the brighter choice.


At LRV 81 vs 13, James White is decisively the brighter choice.


At LRV 81 vs 44, James White is decisively the brighter choice.


Pure White reads slightly lighter (LRV 84 vs 81), a gap that shows most in low-lit rooms.


James White reflects far more light (LRV 81 vs 21), opening up a space where Artichoke encloses it.


At LRV 81 vs 66, James White is decisively the brighter choice.


A 6-point LRV gap (81 vs 74) makes James White the marginally brighter of the two.


Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.


James White reflects far more light (LRV 81 vs 51), opening up a space where Pigeon encloses it.


At LRV 81 vs 12, James White is decisively the brighter choice.


At LRV 81 vs 8, James White is decisively the brighter choice.


At LRV 81 vs 68, James White is decisively the brighter choice.


James White reflects far more light (LRV 81 vs 41), opening up a space where Dix Blue encloses it.


At LRV 81 vs 12, James White is decisively the brighter choice.


At LRV 81 vs 45, James White is decisively the brighter choice.


James White reflects far more light (LRV 81 vs 31), opening up a space where Pale Green encloses it.













