New White vs Creme
Where New White belongs to Farrow & Ball's range, Creme is a Sherwin-Williams color. New White reads as beige-white, while Creme reads as beige — two distinct hue families, not close cousins. They have nearly identical light reflectance values (82 vs 82), so they'll read as similarly Light in most lighting conditions. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.1, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
New White vs Creme in Real Spaces
2 real rooms side by side. New White and Creme are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
New White vs Creme Simulated Comparison
5 simulated room previews — drag the slider on each to see New White on one side and Creme on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More New White comparisons
See how New White stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.
New White reflects far more light (LRV 82 vs 52), opening up a space where Purbeck Stone encloses it.
New White reflects far more light (LRV 82 vs 30), opening up a space where Evergreen Fog encloses it.
New White reflects far more light (LRV 82 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 82 vs 58, New White is decisively the brighter choice.
At LRV 82 vs 27, New White is decisively the brighter choice.
New White reflects far more light (LRV 82 vs 43), opening up a space where French Gray encloses it.
At LRV 82 vs 55, New White is decisively the brighter choice.
At LRV 82 vs 44, New White is decisively the brighter choice.
With LRVs of 84 and 82, the two reflect almost the same amount of light.
At LRV 82 vs 66, New White is decisively the brighter choice.
A 7-point LRV gap (82 vs 74) makes New White the marginally brighter of the two.
At LRV 82 vs 12, New White is decisively the brighter choice.
At LRV 82 vs 8, New White is decisively the brighter choice.
At LRV 82 vs 68, New White is decisively the brighter choice.
At LRV 82 vs 12, New White is decisively the brighter choice.
At LRV 82 vs 45, New White is decisively the brighter choice.
New White reflects far more light (LRV 82 vs 31), opening up a space where Pale Green encloses it.