Old White vs Shadow White paint color comparison

Old White vs Shadow White

Old WhiteFarrow & BallvsShadow WhiteFarrow & BallΔE 7.9Noticeable difference

Both are Farrow & Ball colors. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. At LRV 68 vs 55, Shadow White will read as the brighter of the two — a 13-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 7.9, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Old White vs Shadow White in Real Spaces

4 real rooms side by side. Old White and Shadow White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Shadow White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Old WhiteFarrow and Ball Old White 4 living room

@grace.athome

Shadow WhiteFarrow and Ball Shadow White living room paint review

@lukesaundersinteriors

Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Shadow White will make the room feel meaningfully brighter than Old White would.

Old WhiteFarrow and Ball Old White 4 bedroom

@churchcottagenorfolk

Shadow WhiteFarrow and Ball Shadow White 282 bedroom

@ellapeers

Bathroom

Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Shadow White will make the room feel meaningfully brighter than Old White would.

Old WhiteFarrow and Ball Old White bathroom paint review

@deltapropertysolutions

Shadow WhiteFarrow and Ball Shadow White 282 bathroom

@renovating_no77

Kitchen Cabinets

On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Shadow White will make the room feel meaningfully brighter than Old White would.

Old WhiteFarrow and Ball Old White 4 kitchen cabinets

@dani_airbnb_former_host_

Shadow WhiteFarrow and Ball Shadow White 282 kitchen cabinets

@rebeccanokesdesign

Color Details

Old White
Farrow & Ball · 4
LRV54.9
BrandFarrow & Ball
Number4
Undertone
TemperatureWarm
BrightnessMedium
Shadow White
Farrow & Ball · 282
LRV68.4
BrandFarrow & Ball
Number282
Undertone
TemperatureWarm
BrightnessLight

Old White vs Shadow White Simulated Comparison

5 simulated room previews — drag the slider on each to see Old White on one side and Shadow White on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old White comparisons

See how Old White stacks up against other well-photographed colors across different brands and tones.

Ammonite
Old White
Ammonite
Old White
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
Old White
4 · LRV 55

At LRV 69 vs 55, Ammonite is decisively the brighter choice.

White Dove
Old White
White Dove
Old White
Farrow & Ball
Old White
4 · LRV 55

White Dove reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Iron Ore
Old White
Iron Ore
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 6), opening up a space where Iron Ore encloses it.

Old White
Purbeck Stone
Old White
Purbeck Stone
Farrow & Ball
Old White
4 · LRV 55

A 3-point LRV gap (55 vs 52) makes Old White the marginally brighter of the two.

Old White
Evergreen Fog
Old White
Evergreen Fog
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 30, Old White is decisively the brighter choice.

Mizzle
Old White
Mizzle
Old White
Farrow & Ball
Mizzle
LRV 52
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.

Old White
Agreeable Gray
Old White
Agreeable Gray
Farrow & Ball
Old White
4 · LRV 55

A 5-point LRV gap (60 vs 55) makes Agreeable Gray the marginally brighter of the two.

Old White
Accessible Beige
Old White
Accessible Beige
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 58 and 55, the two reflect almost the same amount of light.

Denim Drift
Old White
Denim Drift
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Old White
French Gray
Old White
Farrow & Ball
Old White
4 · LRV 55

A 12-point LRV gap (55 vs 43) makes Old White the marginally brighter of the two.

Old White
Naval
Old White
Naval
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Naval
LRV 4

At LRV 55 vs 4, Old White is decisively the brighter choice.

Tranquil Dawn
Old White
Tranquil Dawn
Old White
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 55 and 55, the two reflect almost the same amount of light.

Bancha
Old White
Bancha
Old White
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Old White
Hardwick White
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.

Old White
Pure White
Old White
Pure White
Farrow & Ball
Old White
4 · LRV 55

At LRV 84 vs 55, Pure White is decisively the brighter choice.

Old White
Artichoke
Old White
Artichoke
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Artichoke
LRV 21

At LRV 55 vs 21, Old White is decisively the brighter choice.

Balboa Mist
Old White
Balboa Mist
Old White
Farrow & Ball
Old White
4 · LRV 55

Balboa Mist reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.

Old White
Shoji White
Old White
Shoji White
Farrow & Ball
Old White
4 · LRV 55

Shoji White reflects far more light (LRV 74 vs 55), opening up a space where Old White encloses it.

Old White
Snowbound
Old White
Snowbound
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Pigeon
Old White
Pigeon
Farrow & Ball
Old White
4 · LRV 55
Farrow & Ball
Pigeon
LRV 51

A 4-point LRV gap (55 vs 51) makes Old White the marginally brighter of the two.

Old White
Pewter Green
Old White
Pewter Green
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Old White
Duck Green
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 8), opening up a space where Duck Green encloses it.

Old White
Skimming Stone
Old White
Skimming Stone
Farrow & Ball
Old White
4 · LRV 55

Skimming Stone reflects far more light (LRV 68 vs 55), opening up a space where Old White encloses it.

Dix Blue
Old White
Dix Blue
Old White
Farrow & Ball
Dix Blue
LRV 41
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 41, Old White is decisively the brighter choice.

Old White
Hicks' Blue
Old White
Hicks' Blue

Old White vs Hicks' Blue

Old White
Slaked Lime Deep
Old White
Slaked Lime Deep

Old White vs Slaked Lime Deep

Vintage Vogue
Old White
Vintage Vogue
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Vintage Vogue encloses it.

Old White
Livid
Old White
Livid
Farrow & Ball
Old White
4 · LRV 55

Old White vs Livid

Saybrook Sage
Old White
Saybrook Sage
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.

Old White
Pale Green
Old White
Pale Green
Farrow & Ball
Old White
4 · LRV 55
RAL ClassicClassic
Pale Green
LRV 31

At LRV 55 vs 31, Old White is decisively the brighter choice.