Old White vs Slipper Satin paint color comparison

Old White vs Slipper Satin

Old WhiteFarrow & BallvsSlipper SatinFarrow & BallΔE 11.1 — Distinct difference

Both from Farrow & Ball's palette. Hue-wise, Old White belongs to the beige-greige family and Slipper Satin to the beige family. Slipper Satin (LRV 75) reflects noticeably more light than Old White (LRV 55), a difference of 20 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 11.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Old White vs Slipper Satin in Real Spaces

4 real rooms side by side. Seeing Old White and Slipper Satin in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Slipper Satin will make the room feel meaningfully brighter than Old White would.

Old WhiteFarrow and Ball Old White 4 living room

@grace.athome

Slipper SatinSlipper Satin living room paint

@carlettos_haus

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Slipper Satin reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 bedroom

@churchcottagenorfolk

Slipper SatinFarrow and Ball Slipper Satin bedroom inspiration

@stephfrom_lavendercottage

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Slipper Satin reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White bathroom paint review

@deltapropertysolutions

Slipper SatinSlipper Satin bathroom color

@needsmorebedrooms

Kitchen Cabinets

Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Slipper Satin reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 kitchen cabinets

@dani_airbnb_former_host_

Slipper SatinSlipper Satin kitchen cabinets paint

@pureandsimplestyle

Color Details

Old White
Farrow & Ball · 4
LRV54.9
BrandFarrow & Ball
Number4
Undertone—
TemperatureWarm
BrightnessMedium
Slipper Satin
Farrow & Ball · 2004
LRV74.9
BrandFarrow & Ball
Number2004
Undertone—
TemperatureWarm
BrightnessLight

Old White vs Slipper Satin Simulated Comparison

5 simulated room previews — drag the slider on each to see Old White on one side and Slipper Satin on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old White comparisons

See how Old White stacks up against other well-photographed colors across different brands and tones.

Ammonite
Old White
Ammonite
Old White
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
Old White
4 · LRV 55

At LRV 69 vs 55, Ammonite is decisively the brighter choice.

White Dove
Old White
White Dove
Old White
Farrow & Ball
Old White
4 · LRV 55

White Dove reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Iron Ore
Old White
Iron Ore
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 6), opening up a space where Iron Ore encloses it.

Old White
Purbeck Stone
Old White
Purbeck Stone
Farrow & Ball
Old White
4 · LRV 55

A 3-point LRV gap (55 vs 52) makes Old White the marginally brighter of the two.

Old White
Evergreen Fog
Old White
Evergreen Fog
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 30, Old White is decisively the brighter choice.

Mizzle
Old White
Mizzle
Old White
Farrow & Ball
Mizzle
LRV 52
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.

Old White
Agreeable Gray
Old White
Agreeable Gray
Farrow & Ball
Old White
4 · LRV 55

A 5-point LRV gap (60 vs 55) makes Agreeable Gray the marginally brighter of the two.

Old White
Accessible Beige
Old White
Accessible Beige
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 58 and 55, the two reflect almost the same amount of light.

Denim Drift
Old White
Denim Drift
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Old White
French Gray
Old White
Farrow & Ball
Old White
4 · LRV 55

A 12-point LRV gap (55 vs 43) makes Old White the marginally brighter of the two.

Old White
Naval
Old White
Naval
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Naval
LRV 4

At LRV 55 vs 4, Old White is decisively the brighter choice.

Tranquil Dawn
Old White
Tranquil Dawn
Old White
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 55 and 55, the two reflect almost the same amount of light.

Bancha
Old White
Bancha
Old White
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Old White
Hardwick White
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.

Old White
Pure White
Old White
Pure White
Farrow & Ball
Old White
4 · LRV 55

At LRV 84 vs 55, Pure White is decisively the brighter choice.

Old White
Artichoke
Old White
Artichoke
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Artichoke
LRV 21

At LRV 55 vs 21, Old White is decisively the brighter choice.

Balboa Mist
Old White
Balboa Mist
Old White
Farrow & Ball
Old White
4 · LRV 55

Balboa Mist reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.

Old White
Shoji White
Old White
Shoji White
Farrow & Ball
Old White
4 · LRV 55

Shoji White reflects far more light (LRV 74 vs 55), opening up a space where Old White encloses it.

Old White
Snowbound
Old White
Snowbound
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Pigeon
Old White
Pigeon
Farrow & Ball
Old White
4 · LRV 55
Farrow & Ball
Pigeon
LRV 51

A 4-point LRV gap (55 vs 51) makes Old White the marginally brighter of the two.

Old White
Pewter Green
Old White
Pewter Green
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Old White
Duck Green
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 8), opening up a space where Duck Green encloses it.

Old White
Skimming Stone
Old White
Skimming Stone
Farrow & Ball
Old White
4 · LRV 55

Skimming Stone reflects far more light (LRV 68 vs 55), opening up a space where Old White encloses it.

Dix Blue
Old White
Dix Blue
Old White
Farrow & Ball
Dix Blue
LRV 41
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 41, Old White is decisively the brighter choice.

Old White
Hicks' Blue
Old White
Hicks' Blue

Old White vs Hicks' Blue

Old White
Slaked Lime Deep
Old White
Slaked Lime Deep

Old White vs Slaked Lime Deep

Vintage Vogue
Old White
Vintage Vogue
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Vintage Vogue encloses it.

Old White
Livid
Old White
Livid
Farrow & Ball
Old White
4 · LRV 55

Old White vs Livid

Saybrook Sage
Old White
Saybrook Sage
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.

Old White
Pale Green
Old White
Pale Green
Farrow & Ball
Old White
4 · LRV 55
RAL ClassicClassic
Pale Green
LRV 31

At LRV 55 vs 31, Old White is decisively the brighter choice.