Old White vs Stirabout paint color comparison

Old White vs Stirabout

Old WhiteFarrow & BallvsStiraboutFarrow & BallΔE 6.6Noticeable difference

Both from Farrow & Ball's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Stirabout (LRV 63) reflects noticeably more light than Old White (LRV 55), a difference of 8 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 6.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Old White vs Stirabout in Real Spaces

6 real rooms side by side. Old White and Stirabout are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Stirabout will make the room feel meaningfully brighter than Old White would.

Old WhiteFarrow and Ball Old White 4 living room

@grace.athome

StiraboutFarrow and Ball Stirabout living room paint review

@yorkshire.alderney

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Stirabout reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 bedroom

@churchcottagenorfolk

StiraboutStirabout bedroom review

@the.finches.nest

Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Stirabout reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 kitchen

@mywhimsywalls

StiraboutStirabout kitchen review

@farrowandball

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Stirabout reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White bathroom paint review

@deltapropertysolutions

StiraboutFarrow and Ball Stirabout bathroom color review

@farrowandball

Home Office

The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Stirabout reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 home office

@gtsdecorating

StiraboutFarrow and Ball 300 home office color

@thecolourcollective__

Kitchen Cabinets

Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Stirabout reflects noticeably more light off the walls, making the space read more open than Old White.

Old WhiteFarrow and Ball Old White 4 kitchen cabinets

@dani_airbnb_former_host_

StiraboutFarrow and Ball 300 kitchen cabinets color

@portree.kitchens

Color Details

Old White
Farrow & Ball · 4
LRV54.9
BrandFarrow & Ball
Number4
Undertone
TemperatureWarm
BrightnessMedium
Stirabout
Farrow & Ball · 300
LRV63.3
BrandFarrow & Ball
Number300
Undertone
TemperatureWarm
BrightnessLight

Old White vs Stirabout Simulated Comparison

5 simulated room previews — drag the slider on each to see Old White on one side and Stirabout on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old White comparisons

See how Old White stacks up against other well-photographed colors across different brands and tones.

Ammonite
Old White
Ammonite
Old White
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
Old White
4 · LRV 55

At LRV 69 vs 55, Ammonite is decisively the brighter choice.

White Dove
Old White
White Dove
Old White
Farrow & Ball
Old White
4 · LRV 55

White Dove reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Iron Ore
Old White
Iron Ore
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 6), opening up a space where Iron Ore encloses it.

Old White
Purbeck Stone
Old White
Purbeck Stone
Farrow & Ball
Old White
4 · LRV 55

A 3-point LRV gap (55 vs 52) makes Old White the marginally brighter of the two.

Old White
Evergreen Fog
Old White
Evergreen Fog
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 30, Old White is decisively the brighter choice.

Mizzle
Old White
Mizzle
Old White
Farrow & Ball
Mizzle
LRV 52
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.

Old White
Agreeable Gray
Old White
Agreeable Gray
Farrow & Ball
Old White
4 · LRV 55

A 5-point LRV gap (60 vs 55) makes Agreeable Gray the marginally brighter of the two.

Old White
Accessible Beige
Old White
Accessible Beige
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 58 and 55, the two reflect almost the same amount of light.

Denim Drift
Old White
Denim Drift
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Old White
French Gray
Old White
Farrow & Ball
Old White
4 · LRV 55

A 12-point LRV gap (55 vs 43) makes Old White the marginally brighter of the two.

Old White
Naval
Old White
Naval
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Naval
LRV 4

At LRV 55 vs 4, Old White is decisively the brighter choice.

Tranquil Dawn
Old White
Tranquil Dawn
Old White
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 55 and 55, the two reflect almost the same amount of light.

Bancha
Old White
Bancha
Old White
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Old White
Hardwick White
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.

Old White
Pure White
Old White
Pure White
Farrow & Ball
Old White
4 · LRV 55

At LRV 84 vs 55, Pure White is decisively the brighter choice.

Old White
Artichoke
Old White
Artichoke
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Artichoke
LRV 21

At LRV 55 vs 21, Old White is decisively the brighter choice.

Balboa Mist
Old White
Balboa Mist
Old White
Farrow & Ball
Old White
4 · LRV 55

Balboa Mist reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.

Old White
Shoji White
Old White
Shoji White
Farrow & Ball
Old White
4 · LRV 55

Shoji White reflects far more light (LRV 74 vs 55), opening up a space where Old White encloses it.

Old White
Snowbound
Old White
Snowbound
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Pigeon
Old White
Pigeon
Farrow & Ball
Old White
4 · LRV 55
Farrow & Ball
Pigeon
LRV 51

A 4-point LRV gap (55 vs 51) makes Old White the marginally brighter of the two.

Old White
Pewter Green
Old White
Pewter Green
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Old White
Duck Green
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 8), opening up a space where Duck Green encloses it.

Old White
Skimming Stone
Old White
Skimming Stone
Farrow & Ball
Old White
4 · LRV 55

Skimming Stone reflects far more light (LRV 68 vs 55), opening up a space where Old White encloses it.

Dix Blue
Old White
Dix Blue
Old White
Farrow & Ball
Dix Blue
LRV 41
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 41, Old White is decisively the brighter choice.

Old White
Hicks' Blue
Old White
Hicks' Blue

Old White vs Hicks' Blue

Old White
Slaked Lime Deep
Old White
Slaked Lime Deep

Old White vs Slaked Lime Deep

Vintage Vogue
Old White
Vintage Vogue
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Vintage Vogue encloses it.

Old White
Livid
Old White
Livid
Farrow & Ball
Old White
4 · LRV 55

Old White vs Livid

Saybrook Sage
Old White
Saybrook Sage
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.

Old White
Pale Green
Old White
Pale Green
Farrow & Ball
Old White
4 · LRV 55
RAL ClassicClassic
Pale Green
LRV 31

At LRV 55 vs 31, Old White is decisively the brighter choice.