Old White vs Mushroom paint color comparison

Old White vs Mushroom

Old WhiteFarrow & BallvsMushroomLittle GreeneΔE 1.7Subtle difference

Where Old White belongs to Farrow & Ball's range, Mushroom is a Little Greene color. Hue-wise, Old White belongs to the beige-greige family and Mushroom to the beige family. They have nearly identical light reflectance values (55 vs 56), so they'll read as similarly Medium in most lighting conditions. Old White runs warm while Mushroom is decidedly red, which means they'll respond very differently to warm vs cool light sources. At ΔE 1.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Old White vs Mushroom in Real Spaces

1 real room side by side. Old White and Mushroom are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Kitchen Cabinets

Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.

Old WhiteFarrow and Ball Old White 4 kitchen cabinets

@dani_airbnb_former_host_

MushroomLittle Greene Mushroom 142 kitchen cabinets

@puffin_pds_coatings

Color Details

Old White
Farrow & Ball · 4
LRV54.9
BrandFarrow & Ball
Number4
Undertone
TemperatureWarm
BrightnessMedium
Mushroom
Little Greene · 142
LRV55.9
BrandLittle Greene
Number142
UndertoneRed
TemperatureWarm
BrightnessMedium

Old White vs Mushroom Simulated Comparison

5 simulated room previews — drag the slider on each to see Old White on one side and Mushroom on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old White comparisons

See how Old White stacks up against other well-photographed colors across different brands and tones.

Ammonite
Old White
Ammonite
Old White
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
Old White
4 · LRV 55

At LRV 69 vs 55, Ammonite is decisively the brighter choice.

White Dove
Old White
White Dove
Old White
Farrow & Ball
Old White
4 · LRV 55

White Dove reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Iron Ore
Old White
Iron Ore
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 6), opening up a space where Iron Ore encloses it.

Old White
Purbeck Stone
Old White
Purbeck Stone
Farrow & Ball
Old White
4 · LRV 55

A 3-point LRV gap (55 vs 52) makes Old White the marginally brighter of the two.

Old White
Evergreen Fog
Old White
Evergreen Fog
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 30, Old White is decisively the brighter choice.

Mizzle
Old White
Mizzle
Old White
Farrow & Ball
Mizzle
LRV 52
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.

Old White
Agreeable Gray
Old White
Agreeable Gray
Farrow & Ball
Old White
4 · LRV 55

A 5-point LRV gap (60 vs 55) makes Agreeable Gray the marginally brighter of the two.

Old White
Accessible Beige
Old White
Accessible Beige
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 58 and 55, the two reflect almost the same amount of light.

Denim Drift
Old White
Denim Drift
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Old White
French Gray
Old White
Farrow & Ball
Old White
4 · LRV 55

A 12-point LRV gap (55 vs 43) makes Old White the marginally brighter of the two.

Old White
Naval
Old White
Naval
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Naval
LRV 4

At LRV 55 vs 4, Old White is decisively the brighter choice.

Tranquil Dawn
Old White
Tranquil Dawn
Old White
Farrow & Ball
Old White
4 · LRV 55

With LRVs of 55 and 55, the two reflect almost the same amount of light.

Bancha
Old White
Bancha
Old White
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Old White
Hardwick White
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.

Old White
Pure White
Old White
Pure White
Farrow & Ball
Old White
4 · LRV 55

At LRV 84 vs 55, Pure White is decisively the brighter choice.

Old White
Artichoke
Old White
Artichoke
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Artichoke
LRV 21

At LRV 55 vs 21, Old White is decisively the brighter choice.

Balboa Mist
Old White
Balboa Mist
Old White
Farrow & Ball
Old White
4 · LRV 55

Balboa Mist reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.

Old White
Shoji White
Old White
Shoji White
Farrow & Ball
Old White
4 · LRV 55

Shoji White reflects far more light (LRV 74 vs 55), opening up a space where Old White encloses it.

Old White
Snowbound
Old White
Snowbound
Farrow & Ball
Old White
4 · LRV 55
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.

Old White
Pigeon
Old White
Pigeon
Farrow & Ball
Old White
4 · LRV 55
Farrow & Ball
Pigeon
LRV 51

A 4-point LRV gap (55 vs 51) makes Old White the marginally brighter of the two.

Old White
Pewter Green
Old White
Pewter Green
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Old White
Duck Green
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 8), opening up a space where Duck Green encloses it.

Old White
Skimming Stone
Old White
Skimming Stone
Farrow & Ball
Old White
4 · LRV 55

Skimming Stone reflects far more light (LRV 68 vs 55), opening up a space where Old White encloses it.

Dix Blue
Old White
Dix Blue
Old White
Farrow & Ball
Dix Blue
LRV 41
Farrow & Ball
Old White
4 · LRV 55

At LRV 55 vs 41, Old White is decisively the brighter choice.

Old White
Hicks' Blue
Old White
Hicks' Blue

Old White vs Hicks' Blue

Old White
Slaked Lime Deep
Old White
Slaked Lime Deep

Old White vs Slaked Lime Deep

Vintage Vogue
Old White
Vintage Vogue
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reflects far more light (LRV 55 vs 12), opening up a space where Vintage Vogue encloses it.

Old White
Livid
Old White
Livid
Farrow & Ball
Old White
4 · LRV 55

Old White vs Livid

Saybrook Sage
Old White
Saybrook Sage
Old White
Farrow & Ball
Old White
4 · LRV 55

Old White reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.

Old White
Pale Green
Old White
Pale Green
Farrow & Ball
Old White
4 · LRV 55
RAL ClassicClassic
Pale Green
LRV 31

At LRV 55 vs 31, Old White is decisively the brighter choice.