Old White vs Light ivory
Where Old White belongs to Farrow & Ball's range, Light ivory is a RAL Classic color. Old White reads as beige-greige, while Light ivory reads as beige — two distinct hue families, not close cousins. Light ivory (LRV 68) reflects noticeably more light than Old White (LRV 55), a difference of 13 points that becomes especially apparent in rooms with limited natural light. The ΔE 7.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Old White vs Light ivory in Real Spaces
2 real rooms side by side. Old White and Light ivory are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Light ivory reflects noticeably more light off the walls, making the space read more open than Old White.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Light ivory reflects noticeably more light off the walls, making the space read more open than Old White.
Color Details
Old White vs Light ivory Simulated Comparison
5 simulated room previews — drag the slider on each to see Old White on one side and Light ivory on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old White comparisons
See how Old White stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 55), opening up a space where Old White encloses it.
A 3-point LRV gap (55 vs 52) makes Old White the marginally brighter of the two.
At LRV 55 vs 30, Old White is decisively the brighter choice.
A 5-point LRV gap (60 vs 55) makes Agreeable Gray the marginally brighter of the two.
With LRVs of 58 and 55, the two reflect almost the same amount of light.
Old White reflects far more light (LRV 55 vs 27), opening up a space where Denim Drift encloses it.
A 12-point LRV gap (55 vs 43) makes Old White the marginally brighter of the two.
With LRVs of 55 and 55, the two reflect almost the same amount of light.
Old White reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 55, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 55), opening up a space where Old White encloses it.
Old White reflects far more light (LRV 55 vs 12), opening up a space where Pewter Green encloses it.
Old White reflects far more light (LRV 55 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 55), opening up a space where Old White encloses it.
Old White reflects far more light (LRV 55 vs 12), opening up a space where Vintage Vogue encloses it.
Old White reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.
At LRV 55 vs 31, Old White is decisively the brighter choice.