
Setting Plaster vs Light ivory
Setting Plaster (Farrow & Ball) and Light ivory (RAL Classic) come from different manufacturers. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. The 10-point LRV gap — 68 for Light ivory vs 58 for Setting Plaster — means Light ivory will open up a space more effectively. ΔE 7.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Setting Plaster vs Light ivory in Real Spaces
1 real room side by side. Setting Plaster and Light ivory are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Light ivory returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Setting Plaster vs Light ivory Simulated Comparison
5 simulated room previews — drag the slider on each to see Setting Plaster on one side and Light ivory on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Setting Plaster comparisons
See how Setting Plaster stacks up against other well-photographed colors across different brands and tones.



Ammonite reads slightly lighter (LRV 69 vs 58), a gap that shows most in low-lit rooms.



At LRV 83 vs 58, White Dove is decisively the brighter choice.



At LRV 58 vs 6, Setting Plaster is decisively the brighter choice.



Setting Plaster reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.



Setting Plaster reflects far more light (LRV 58 vs 30), opening up a space where Evergreen Fog encloses it.



A 6-point LRV gap (58 vs 52) makes Setting Plaster the marginally brighter of the two.



With LRVs of 60 and 58, the two reflect almost the same amount of light.



Their light reflectance is nearly identical (LRV 58 vs 58), so neither reads brighter in a room.



At LRV 58 vs 27, Setting Plaster is decisively the brighter choice.



Setting Plaster reflects far more light (LRV 58 vs 43), opening up a space where French Gray encloses it.



Setting Plaster reflects far more light (LRV 58 vs 4), opening up a space where Naval encloses it.



A 3-point LRV gap (58 vs 55) makes Setting Plaster the marginally brighter of the two.



At LRV 58 vs 13, Setting Plaster is decisively the brighter choice.



At LRV 58 vs 44, Setting Plaster is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 58), opening up a space where Setting Plaster encloses it.



Setting Plaster reflects far more light (LRV 58 vs 21), opening up a space where Artichoke encloses it.



A 8-point LRV gap (66 vs 58) makes Balboa Mist the marginally brighter of the two.



At LRV 74 vs 58, Shoji White is decisively the brighter choice.



At LRV 83 vs 58, Snowbound is decisively the brighter choice.



Setting Plaster reads slightly lighter (LRV 58 vs 51), a gap that shows most in low-lit rooms.



At LRV 58 vs 12, Setting Plaster is decisively the brighter choice.



At LRV 58 vs 8, Setting Plaster is decisively the brighter choice.



A 10-point LRV gap (68 vs 58) makes Skimming Stone the marginally brighter of the two.



Setting Plaster reflects far more light (LRV 58 vs 41), opening up a space where Dix Blue encloses it.



At LRV 58 vs 12, Setting Plaster is decisively the brighter choice.



At LRV 58 vs 45, Setting Plaster is decisively the brighter choice.



Setting Plaster reflects far more light (LRV 58 vs 31), opening up a space where Pale Green encloses it.















