Sand vs Hicks' Blue
Where Sand belongs to Jotun's range, Hicks' Blue is a Little Greene color. Sand reads as beige-greige, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Sand has an LRV of 56. Sand runs warm while Hicks' Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 48.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sand vs Hicks' Blue in Real Spaces
2 real rooms side by side. Seeing Sand and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Sand vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sand on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sand comparisons
See how Sand stacks up against other well-photographed colors across different brands and tones.



At LRV 83 vs 56, White Dove is decisively the brighter choice.



Sand reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.



Sand reflects far more light (LRV 56 vs 30), opening up a space where Evergreen Fog encloses it.



Agreeable Gray reads slightly lighter (LRV 60 vs 56), a gap that shows most in low-lit rooms.



Their light reflectance is nearly identical (LRV 58 vs 56), so neither reads brighter in a room.



Sand reflects far more light (LRV 56 vs 43), opening up a space where French Gray encloses it.



Their light reflectance is nearly identical (LRV 56 vs 55), so neither reads brighter in a room.



At LRV 56 vs 44, Sand is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 56), opening up a space where Sand encloses it.



A 9-point LRV gap (66 vs 56) makes Balboa Mist the marginally brighter of the two.



At LRV 74 vs 56, Shoji White is decisively the brighter choice.



At LRV 56 vs 12, Sand is decisively the brighter choice.



A 12-point LRV gap (68 vs 56) makes Skimming Stone the marginally brighter of the two.



At LRV 56 vs 12, Sand is decisively the brighter choice.



A 11-point LRV gap (56 vs 45) makes Sand the marginally brighter of the two.



Sand reflects far more light (LRV 56 vs 31), opening up a space where Pale Green encloses it.



Sand reflects far more light (LRV 56 vs 7), opening up a space where Pine Needle encloses it.





































