Split Pink vs Crushed Cinnamon
Where Split Pink belongs to Little Greene's range, Crushed Cinnamon is a PPG color. Split Pink reads as beige-greige, while Crushed Cinnamon reads as pink-red — two distinct hue families, not close cousins. Split Pink (LRV 25) reflects noticeably more light than Crushed Cinnamon (LRV 21), a difference of 4 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 14.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Split Pink vs Crushed Cinnamon in Real Spaces
2 real rooms side by side. Seeing Split Pink and Crushed Cinnamon in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Split Pink gives the walls a little more lift.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Split Pink reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Split Pink vs Crushed Cinnamon Simulated Comparison
5 simulated room previews — drag the slider on each to see Split Pink on one side and Crushed Cinnamon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Split Pink comparisons
See how Split Pink stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 25), opening up a space where Split Pink encloses it.
At LRV 83 vs 25, White Dove is decisively the brighter choice.
At LRV 25 vs 6, Split Pink is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 25), opening up a space where Split Pink encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
At LRV 52 vs 25, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 25), opening up a space where Split Pink encloses it.
At LRV 58 vs 25, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 27 vs 25), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 25), opening up a space where Split Pink encloses it.
Split Pink reflects far more light (LRV 25 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 25, Tranquil Dawn is decisively the brighter choice.
A 12-point LRV gap (25 vs 13) makes Split Pink the marginally brighter of the two.
At LRV 44 vs 25, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 25), opening up a space where Split Pink encloses it.
Split Pink reads slightly lighter (LRV 25 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 25, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 25, Shoji White is decisively the brighter choice.
At LRV 83 vs 25, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 25), opening up a space where Split Pink encloses it.
At LRV 25 vs 12, Split Pink is decisively the brighter choice.
At LRV 25 vs 8, Split Pink is decisively the brighter choice.
At LRV 68 vs 25, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 25), opening up a space where Split Pink encloses it.
At LRV 25 vs 12, Split Pink is decisively the brighter choice.
At LRV 45 vs 25, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.