S 1502-Y vs Cucumber
S 1502-Y (NCS) and Cucumber (Sherwin-Williams) come from different manufacturers. S 1502-Y reads as greige-grey, while Cucumber reads as green-yellow — two distinct hue families, not close cousins. The 7-point LRV gap — 71 for Cucumber vs 64 for S 1502-Y — means Cucumber will open up a space more effectively. Where S 1502-Y leans warm, Cucumber reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 10.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 1502-Y vs Cucumber in Real Spaces
3 real rooms side by side. Seeing S 1502-Y and Cucumber in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Cucumber reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Cucumber gives the walls a little more lift.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Cucumber has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
S 1502-Y vs Cucumber Simulated Comparison
5 simulated room previews — drag the slider on each to see S 1502-Y on one side and Cucumber on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 1502-Y comparisons
See how S 1502-Y stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 52), opening up a space where Purbeck Stone encloses it.
S 1502-Y reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
S 1502-Y reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (64 vs 58) makes S 1502-Y the marginally brighter of the two.
At LRV 64 vs 27, S 1502-Y is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
A 9-point LRV gap (64 vs 55) makes S 1502-Y the marginally brighter of the two.
At LRV 64 vs 44, S 1502-Y is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where S 1502-Y encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 64 vs 12, S 1502-Y is decisively the brighter choice.
At LRV 64 vs 8, S 1502-Y is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
At LRV 64 vs 12, S 1502-Y is decisively the brighter choice.
At LRV 64 vs 45, S 1502-Y is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.