Burning Bush vs Antique Red
Where Burning Bush belongs to PPG's range, Antique Red is a Sherwin-Williams color. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (11 vs 12), so they'll read as similarly Dark in most lighting conditions. At ΔE 2.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Burning Bush vs Antique Red in Real Spaces
10 real rooms side by side. Burning Bush and Antique Red are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Burning Bush vs Antique Red Simulated Comparison
5 simulated room previews — drag the slider on each to see Burning Bush on one side and Antique Red on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Burning Bush comparisons
See how Burning Bush stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 11, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Burning Bush encloses it.
Burning Bush reads slightly lighter (LRV 11 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 11), opening up a space where Burning Bush encloses it.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Burning Bush encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Burning Bush encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
A 7-point LRV gap (11 vs 4) makes Burning Bush the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Burning Bush encloses it.
With LRVs of 13 and 11, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Burning Bush encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
A 10-point LRV gap (21 vs 11) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Burning Bush encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Burning Bush encloses it.
Snowbound reflects far more light (LRV 83 vs 11), opening up a space where Burning Bush encloses it.
At LRV 51 vs 11, Pigeon is decisively the brighter choice.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
With LRVs of 11 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Burning Bush encloses it.
At LRV 41 vs 11, Dix Blue is decisively the brighter choice.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Burning Bush encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.