Dark Ash vs Connected Gray
Dark Ash (PPG) and Connected Gray (Sherwin-Williams) come from different manufacturers. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 23 vs 23 — so neither will read significantly brighter or darker than the other. A ΔE of 1.7 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Ash vs Connected Gray in Real Spaces
5 real rooms side by side. Dark Ash and Connected Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Dark Ash vs Connected Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Ash on one side and Connected Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Ash comparisons
See how Dark Ash stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 23, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 23), opening up a space where Dark Ash encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 23), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 23), opening up a space where Dark Ash encloses it.
At LRV 58 vs 23, Accessible Beige is decisively the brighter choice.
A 4-point LRV gap (27 vs 23) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 23), opening up a space where Dark Ash encloses it.
At LRV 55 vs 23, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 23, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 23), opening up a space where Dark Ash encloses it.
At LRV 66 vs 23, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 23, Shoji White is decisively the brighter choice.
A 11-point LRV gap (23 vs 12) makes Dark Ash the marginally brighter of the two.
At LRV 23 vs 8, Dark Ash is decisively the brighter choice.
At LRV 68 vs 23, Skimming Stone is decisively the brighter choice.
A 11-point LRV gap (23 vs 12) makes Dark Ash the marginally brighter of the two.
At LRV 45 vs 23, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 23), a gap that shows most in low-lit rooms.