Dark Woods vs Snowbound
Where Dark Woods belongs to PPG's range, Snowbound is a Sherwin-Williams color. Dark Woods reads as grey, while Snowbound reads as beige-greige — two distinct hue families, not close cousins. Snowbound (LRV 83) reflects noticeably more light than Dark Woods (LRV 12), a difference of 71 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 52.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Woods vs Snowbound in Real Spaces
8 real rooms side by side. Seeing Dark Woods and Snowbound in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Dark Woods would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Snowbound reflects noticeably more light off the walls, making the space read more open than Dark Woods.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Snowbound reflects noticeably more light off the walls, making the space read more open than Dark Woods.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Snowbound reflects noticeably more light off the walls, making the space read more open than Dark Woods.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Snowbound reflects noticeably more light off the walls, making the space read more open than Dark Woods.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Snowbound reflects noticeably more light off the walls, making the space read more open than Dark Woods.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Dark Woods would.
Color Details
Dark Woods vs Snowbound Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Woods on one side and Snowbound on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Woods comparisons
See how Dark Woods stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 12), opening up a space where Dark Woods encloses it.
At LRV 83 vs 12, White Dove is decisively the brighter choice.
A 6-point LRV gap (12 vs 6) makes Dark Woods the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 12), opening up a space where Dark Woods encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 12), opening up a space where Dark Woods encloses it.
At LRV 52 vs 12, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 12), opening up a space where Dark Woods encloses it.
At LRV 58 vs 12, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 12, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 12), opening up a space where Dark Woods encloses it.
Dark Woods reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 12, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 44 vs 12, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 12), opening up a space where Dark Woods encloses it.
Artichoke reads slightly lighter (LRV 21 vs 12), a gap that shows most in low-lit rooms.
At LRV 66 vs 12, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 12, Shoji White is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 12), opening up a space where Dark Woods encloses it.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
A 4-point LRV gap (12 vs 8) makes Dark Woods the marginally brighter of the two.
At LRV 68 vs 12, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 12), opening up a space where Dark Woods encloses it.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 45 vs 12, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 12), opening up a space where Dark Woods encloses it.
Dark Woods reads slightly lighter (LRV 12 vs 7), a gap that shows most in low-lit rooms.