In The Cloud vs RAL 110-2
In The Cloud is a PPG color while RAL 110-2 comes from RAL Effect. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. With LRVs of 71 and 72, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 0.7, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In The Cloud vs RAL 110-2 in Real Spaces
5 real rooms side by side. In The Cloud and RAL 110-2 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
In The Cloud vs RAL 110-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see In The Cloud on one side and RAL 110-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In The Cloud comparisons
See how In The Cloud stacks up against other well-photographed colors across different brands and tones.
With LRVs of 71 and 69, the two reflect almost the same amount of light.
At LRV 83 vs 71, White Dove is decisively the brighter choice.
At LRV 71 vs 6, In The Cloud is decisively the brighter choice.
In The Cloud reflects far more light (LRV 71 vs 52), opening up a space where Purbeck Stone encloses it.
In The Cloud reflects far more light (LRV 71 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 71 vs 52, In The Cloud is decisively the brighter choice.
In The Cloud reads slightly lighter (LRV 71 vs 60), a gap that shows most in low-lit rooms.
At LRV 71 vs 58, In The Cloud is decisively the brighter choice.
At LRV 71 vs 27, In The Cloud is decisively the brighter choice.
In The Cloud reflects far more light (LRV 71 vs 43), opening up a space where French Gray encloses it.
In The Cloud reflects far more light (LRV 71 vs 4), opening up a space where Naval encloses it.
At LRV 71 vs 55, In The Cloud is decisively the brighter choice.
At LRV 71 vs 13, In The Cloud is decisively the brighter choice.
At LRV 71 vs 44, In The Cloud is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 71), opening up a space where In The Cloud encloses it.
In The Cloud reflects far more light (LRV 71 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (71 vs 66) makes In The Cloud the marginally brighter of the two.
A 3-point LRV gap (74 vs 71) makes Shoji White the marginally brighter of the two.
A 12-point LRV gap (83 vs 71) makes Snowbound the marginally brighter of the two.
In The Cloud reflects far more light (LRV 71 vs 51), opening up a space where Pigeon encloses it.
At LRV 71 vs 12, In The Cloud is decisively the brighter choice.
At LRV 71 vs 8, In The Cloud is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 71 vs 68), so neither reads brighter in a room.
In The Cloud reflects far more light (LRV 71 vs 41), opening up a space where Dix Blue encloses it.
At LRV 71 vs 12, In The Cloud is decisively the brighter choice.
At LRV 71 vs 45, In The Cloud is decisively the brighter choice.
In The Cloud reflects far more light (LRV 71 vs 31), opening up a space where Pale Green encloses it.