New Clay vs Toasted Beige
Where New Clay belongs to PPG's range, Toasted Beige is a Valspar color. Hue-wise, New Clay belongs to the pink-red family and Toasted Beige to the beige-pink family. New Clay (LRV 59) reflects noticeably more light than Toasted Beige (LRV 48), a difference of 11 points that becomes especially apparent in rooms with limited natural light. The ΔE 7.4 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
New Clay vs Toasted Beige Simulated Comparison
5 simulated room previews — drag the slider on each to see New Clay on one side and Toasted Beige on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More New Clay comparisons
See how New Clay stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where New Clay encloses it.
A 7-point LRV gap (59 vs 52) makes New Clay the marginally brighter of the two.
At LRV 59 vs 30, New Clay is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
New Clay reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, New Clay is decisively the brighter choice.
New Clay reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
New Clay reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where New Clay encloses it.
New Clay reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
New Clay reflects far more light (LRV 59 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
New Clay reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
New Clay reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, New Clay is decisively the brighter choice.