Old Times Sake vs Thin Ice
Both are PPG colors. Hue-wise, Old Times Sake belongs to the beige-yellow family and Thin Ice to the grey family. At LRV 70 vs 35, Thin Ice will read as the brighter of the two — a 35-point gap that matters most in north-facing or low-light rooms. At ΔE 37.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Old Times Sake vs Thin Ice Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Times Sake on one side and Thin Ice on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Times Sake comparisons
See how Old Times Sake stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 35), opening up a space where Old Times Sake encloses it.
At LRV 83 vs 35, White Dove is decisively the brighter choice.
At LRV 35 vs 6, Old Times Sake is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 35), opening up a space where Old Times Sake encloses it.
Old Times Sake reads slightly lighter (LRV 35 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 35, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 35), opening up a space where Old Times Sake encloses it.
At LRV 58 vs 35, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (35 vs 27) makes Old Times Sake the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 35), a gap that shows most in low-lit rooms.
Old Times Sake reflects far more light (LRV 35 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 35, Tranquil Dawn is decisively the brighter choice.
At LRV 35 vs 13, Old Times Sake is decisively the brighter choice.
A 9-point LRV gap (44 vs 35) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 35), opening up a space where Old Times Sake encloses it.
Old Times Sake reflects far more light (LRV 35 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 35, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 35, Shoji White is decisively the brighter choice.
At LRV 83 vs 35, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 35), opening up a space where Old Times Sake encloses it.
At LRV 35 vs 12, Old Times Sake is decisively the brighter choice.
At LRV 35 vs 8, Old Times Sake is decisively the brighter choice.
At LRV 68 vs 35, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 35), a gap that shows most in low-lit rooms.
At LRV 35 vs 12, Old Times Sake is decisively the brighter choice.
A 10-point LRV gap (45 vs 35) makes Saybrook Sage the marginally brighter of the two.
Old Times Sake reads slightly lighter (LRV 35 vs 31), a gap that shows most in low-lit rooms.