So Sublime vs Alloy
So Sublime is a PPG color while Alloy comes from Sherwin-Williams. These are both greys, so the question isn't which hue to choose — it's where within grey to land. With LRVs of 24 and 25, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 2.4, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
So Sublime vs Alloy in Real Spaces
10 real rooms side by side. So Sublime and Alloy are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
So Sublime vs Alloy Simulated Comparison
5 simulated room previews — drag the slider on each to see So Sublime on one side and Alloy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More So Sublime comparisons
See how So Sublime stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 24, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 24), opening up a space where So Sublime encloses it.
So Sublime reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (30 vs 24) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 24), opening up a space where So Sublime encloses it.
At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where So Sublime encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 24), a gap that shows most in low-lit rooms.
At LRV 43 vs 24, French Gray is decisively the brighter choice.
At LRV 24 vs 4, So Sublime is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where So Sublime encloses it.
So Sublime reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where So Sublime encloses it.
At LRV 84 vs 24, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where So Sublime encloses it.
Shoji White reflects far more light (LRV 74 vs 24), opening up a space where So Sublime encloses it.
Snowbound reflects far more light (LRV 83 vs 24), opening up a space where So Sublime encloses it.
At LRV 51 vs 24, Pigeon is decisively the brighter choice.
So Sublime reflects far more light (LRV 24 vs 12), opening up a space where Pewter Green encloses it.
So Sublime reflects far more light (LRV 24 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 24), opening up a space where So Sublime encloses it.
At LRV 41 vs 24, Dix Blue is decisively the brighter choice.
So Sublime reflects far more light (LRV 24 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where So Sublime encloses it.
A 7-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.