Storm's Coming vs Shoji White
Storm's Coming (PPG) and Shoji White (Sherwin-Williams) come from different manufacturers. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. The 16-point LRV gap — 74 for Shoji White vs 58 for Storm's Coming — means Shoji White will open up a space more effectively. ΔE 8.0 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 11 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Storm's Coming vs Shoji White in Real Spaces
11 real rooms side by side. Storm's Coming and Shoji White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Shoji White reflects noticeably more light off the walls, making the space read more open than Storm's Coming.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Storm's Coming would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Mudroom
In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Storm's Coming would.
Patio
Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Storm's Coming would.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Shoji White reflects noticeably more light off the walls, making the space read more open than Storm's Coming.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Storm's Coming vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Storm's Coming on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Storm's Coming comparisons
See how Storm's Coming stacks up against other well-photographed colors across different brands and tones.
A 11-point LRV gap (69 vs 58) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 58), opening up a space where Storm's Coming encloses it.
Storm's Coming reflects far more light (LRV 58 vs 6), opening up a space where Iron Ore encloses it.
A 6-point LRV gap (58 vs 52) makes Storm's Coming the marginally brighter of the two.
At LRV 58 vs 30, Storm's Coming is decisively the brighter choice.
Storm's Coming reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
With LRVs of 58 and 58, the two reflect almost the same amount of light.
Storm's Coming reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.
At LRV 58 vs 43, Storm's Coming is decisively the brighter choice.
At LRV 58 vs 4, Storm's Coming is decisively the brighter choice.
Storm's Coming reads slightly lighter (LRV 58 vs 55), a gap that shows most in low-lit rooms.
Storm's Coming reflects far more light (LRV 58 vs 13), opening up a space where Bancha encloses it.
Storm's Coming reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 58, Pure White is decisively the brighter choice.
At LRV 58 vs 21, Storm's Coming is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 58), opening up a space where Storm's Coming encloses it.
A 7-point LRV gap (58 vs 51) makes Storm's Coming the marginally brighter of the two.
Storm's Coming reflects far more light (LRV 58 vs 12), opening up a space where Pewter Green encloses it.
Storm's Coming reflects far more light (LRV 58 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.
At LRV 58 vs 41, Storm's Coming is decisively the brighter choice.
Storm's Coming reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.
Storm's Coming reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 58 vs 31, Storm's Coming is decisively the brighter choice.
At LRV 58 vs 7, Storm's Coming is decisively the brighter choice.