RAL 240-5 vs Iron Ore
RAL 240-5 (RAL Effect) and Iron Ore (Sherwin-Williams) come from different manufacturers. Hue-wise, RAL 240-5 belongs to the green-yellow family and Iron Ore to the grey family. The 7-point LRV gap — 13 for RAL 240-5 vs 6 for Iron Ore — means RAL 240-5 will open up a space more effectively. A ΔE of 32.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 240-5 vs Iron Ore in Real Spaces
4 real rooms side by side. Seeing RAL 240-5 and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. RAL 240-5 reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. RAL 240-5 has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. RAL 240-5 has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. RAL 240-5 has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
RAL 240-5 vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 240-5 on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 240-5 comparisons
See how RAL 240-5 stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where RAL 240-5 encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where RAL 240-5 encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where RAL 240-5 encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where RAL 240-5 encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
RAL 240-5 reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where RAL 240-5 encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes RAL 240-5 the marginally brighter of the two.