RAL 250-4 vs Agreeable Gray
Where RAL 250-4 belongs to RAL Effect's range, Agreeable Gray is a Sherwin-Williams color. Hue-wise, RAL 250-4 belongs to the beige-yellow family and Agreeable Gray to the greige-grey family. Agreeable Gray (LRV 60) reflects noticeably more light than RAL 250-4 (LRV 32), a difference of 28 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 49.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 250-4 vs Agreeable Gray in Real Spaces
3 real rooms side by side. Seeing RAL 250-4 and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 250-4.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 250-4.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 250-4.
Color Details
RAL 250-4 vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 250-4 on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 250-4 comparisons
See how RAL 250-4 stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where RAL 250-4 encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where RAL 250-4 encloses it.
RAL 250-4 reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where RAL 250-4 encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where RAL 250-4 encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where RAL 250-4 encloses it.
RAL 250-4 reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
RAL 250-4 reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where RAL 250-4 encloses it.
RAL 250-4 reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where RAL 250-4 encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.
At LRV 32 vs 7, RAL 250-4 is decisively the brighter choice.