RAL 410-3 vs RAL 410-4
Both are RAL Effect colors. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. At LRV 24 vs 21, RAL 410-3 will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. With a ΔE of 2.8, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 410-3 vs RAL 410-4 in Real Spaces
6 real rooms side by side. RAL 410-3 and RAL 410-4 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
RAL 410-3 vs RAL 410-4 Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 410-3 on one side and RAL 410-4 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 410-3 comparisons
See how RAL 410-3 stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 24, White Dove is decisively the brighter choice.


Purbeck Stone reflects far more light (LRV 52 vs 24), opening up a space where RAL 410-3 encloses it.


Evergreen Fog reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.


Agreeable Gray reflects far more light (LRV 60 vs 24), opening up a space where RAL 410-3 encloses it.


At LRV 58 vs 24, Accessible Beige is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 27 vs 24), so neither reads brighter in a room.


French Gray reflects far more light (LRV 43 vs 24), opening up a space where RAL 410-3 encloses it.


At LRV 55 vs 24, Tranquil Dawn is decisively the brighter choice.


At LRV 44 vs 24, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 24), opening up a space where RAL 410-3 encloses it.


At LRV 66 vs 24, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 24, Shoji White is decisively the brighter choice.


At LRV 24 vs 12, RAL 410-3 is decisively the brighter choice.


At LRV 24 vs 8, RAL 410-3 is decisively the brighter choice.


At LRV 68 vs 24, Skimming Stone is decisively the brighter choice.


At LRV 24 vs 12, RAL 410-3 is decisively the brighter choice.


At LRV 45 vs 24, Saybrook Sage is decisively the brighter choice.


Pale Green reads slightly lighter (LRV 31 vs 24), a gap that shows most in low-lit rooms.

































