Afternoon vs Daffodil
Both are Sherwin-Williams colors. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. At LRV 71 vs 65, Daffodil will read as the brighter of the two — a 7-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 8.7, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Afternoon vs Daffodil in Real Spaces
10 real rooms side by side. Afternoon and Daffodil are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Daffodil has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Daffodil gives the walls a little more lift.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — Daffodil gives the walls a little more lift.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Daffodil reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Daffodil gives the walls a little more lift.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The brightness difference is modest but present — Daffodil gives the walls a little more lift.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Daffodil reads slightly lighter here — a subtle but real difference in how open the space feels.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. Daffodil reads slightly lighter here — a subtle but real difference in how open the space feels.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — Daffodil gives the walls a little more lift.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Daffodil has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Afternoon vs Daffodil Simulated Comparison
5 simulated room previews — drag the slider on each to see Afternoon on one side and Daffodil on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Afternoon comparisons
See how Afternoon stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Afternoon reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Afternoon reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Afternoon the marginally brighter of the two.
At LRV 65 vs 27, Afternoon is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Afternoon the marginally brighter of the two.
At LRV 65 vs 44, Afternoon is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Afternoon encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Afternoon is decisively the brighter choice.
At LRV 65 vs 8, Afternoon is decisively the brighter choice.
A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Afternoon is decisively the brighter choice.
At LRV 65 vs 45, Afternoon is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.