Afternoon vs Daisy
Both are Sherwin-Williams colors. Afternoon reads as beige, while Daisy reads as beige-yellow — two distinct hue families, not close cousins. At LRV 68 vs 65, Daisy will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 27.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Afternoon vs Daisy in Real Spaces
1 real room side by side. Seeing Afternoon and Daisy in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Daisy has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Afternoon vs Daisy Simulated Comparison
5 simulated room previews — drag the slider on each to see Afternoon on one side and Daisy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Afternoon comparisons
See how Afternoon stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Afternoon reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Afternoon reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Afternoon the marginally brighter of the two.
At LRV 65 vs 27, Afternoon is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Afternoon the marginally brighter of the two.
At LRV 65 vs 44, Afternoon is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Afternoon encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Afternoon is decisively the brighter choice.
At LRV 65 vs 8, Afternoon is decisively the brighter choice.
A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Afternoon is decisively the brighter choice.
At LRV 65 vs 45, Afternoon is decisively the brighter choice.
Afternoon reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.