Antimony vs Silverpointe
Antimony and Silverpointe come from the same Sherwin-Williams collection. These are both greys, so the question isn't which hue to choose — it's where within grey to land. The 7-point LRV gap — 64 for Silverpointe vs 57 for Antimony — means Silverpointe will open up a space more effectively. Both share a neutral character, which means they'll respond to light and surrounding materials in similar ways. ΔE 3.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Antimony vs Silverpointe in Real Spaces
2 real rooms side by side. Antimony and Silverpointe are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Silverpointe has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Silverpointe has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Antimony vs Silverpointe Simulated Comparison
5 simulated room previews — drag the slider on each to see Antimony on one side and Silverpointe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antimony comparisons
See how Antimony stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 57), opening up a space where Antimony encloses it.
A 5-point LRV gap (57 vs 52) makes Antimony the marginally brighter of the two.
At LRV 57 vs 30, Antimony is decisively the brighter choice.
A 3-point LRV gap (60 vs 57) makes Agreeable Gray the marginally brighter of the two.
With LRVs of 58 and 57, the two reflect almost the same amount of light.
Antimony reflects far more light (LRV 57 vs 27), opening up a space where Denim Drift encloses it.
At LRV 57 vs 43, Antimony is decisively the brighter choice.
With LRVs of 57 and 55, the two reflect almost the same amount of light.
Antimony reflects far more light (LRV 57 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 57, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 57), opening up a space where Antimony encloses it.
Antimony reflects far more light (LRV 57 vs 12), opening up a space where Pewter Green encloses it.
Antimony reflects far more light (LRV 57 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Antimony reflects far more light (LRV 57 vs 12), opening up a space where Vintage Vogue encloses it.
Antimony reads slightly lighter (LRV 57 vs 45), a gap that shows most in low-lit rooms.
At LRV 57 vs 31, Antimony is decisively the brighter choice.