Cloud Nine vs Silver Lake
Both from Sherwin-Williams's palette. Hue-wise, Cloud Nine belongs to the white family and Silver Lake to the blue-grey family. Cloud Nine (LRV 78) reflects noticeably more light than Silver Lake (LRV 53), a difference of 25 points that becomes especially apparent in rooms with limited natural light. Cloud Nine runs neutral while Silver Lake is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 14.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Cloud Nine vs Silver Lake in Real Spaces
1 real room side by side. Seeing Cloud Nine and Silver Lake in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Cloud Nine will make the room feel meaningfully brighter than Silver Lake would.
Color Details
Cloud Nine vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Cloud Nine on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cloud Nine comparisons
See how Cloud Nine stacks up against other well-photographed colors across different brands and tones.
Cloud Nine reads slightly lighter (LRV 78 vs 69), a gap that shows most in low-lit rooms.
A 5-point LRV gap (83 vs 78) makes White Dove the marginally brighter of the two.
At LRV 78 vs 6, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 52), opening up a space where Purbeck Stone encloses it.
Cloud Nine reflects far more light (LRV 78 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 78 vs 52, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 78 vs 58, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 27, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 43), opening up a space where French Gray encloses it.
Cloud Nine reflects far more light (LRV 78 vs 4), opening up a space where Naval encloses it.
At LRV 78 vs 55, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 13, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 44, Cloud Nine is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 78), a gap that shows most in low-lit rooms.
Cloud Nine reflects far more light (LRV 78 vs 21), opening up a space where Artichoke encloses it.
At LRV 78 vs 66, Cloud Nine is decisively the brighter choice.
A 4-point LRV gap (78 vs 74) makes Cloud Nine the marginally brighter of the two.
A 5-point LRV gap (83 vs 78) makes Snowbound the marginally brighter of the two.
Cloud Nine reflects far more light (LRV 78 vs 51), opening up a space where Pigeon encloses it.
At LRV 78 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 8, Cloud Nine is decisively the brighter choice.
A 10-point LRV gap (78 vs 68) makes Cloud Nine the marginally brighter of the two.
Cloud Nine reflects far more light (LRV 78 vs 41), opening up a space where Dix Blue encloses it.
At LRV 78 vs 12, Cloud Nine is decisively the brighter choice.
At LRV 78 vs 45, Cloud Nine is decisively the brighter choice.
Cloud Nine reflects far more light (LRV 78 vs 31), opening up a space where Pale Green encloses it.