Dark Night vs Down Pour
Both are Sherwin-Williams colors. These are both blues, so the question isn't which hue to choose — it's where within blue to land. At LRV 15 vs 4, Down Pour will read as the brighter of the two — a 11-point gap that matters most in north-facing or low-light rooms. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 26.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Night vs Down Pour in Real Spaces
4 real rooms side by side. Seeing Dark Night and Down Pour in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Down Pour returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Down Pour will make the room feel meaningfully brighter than Dark Night would.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The LRV gap is large enough that Down Pour will make the room feel meaningfully brighter than Dark Night would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Down Pour will make the room feel meaningfully brighter than Dark Night would.
Color Details
Dark Night vs Down Pour Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Night on one side and Down Pour on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Night comparisons
See how Dark Night stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 4, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
With LRVs of 6 and 4, the two reflect almost the same amount of light.
At LRV 52 vs 4, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 4, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 4), opening up a space where Dark Night encloses it.
At LRV 60 vs 4, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 4), opening up a space where Dark Night encloses it.
Denim Drift reflects far more light (LRV 27 vs 4), opening up a space where Dark Night encloses it.
At LRV 43 vs 4, French Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 4 vs 4), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 4), opening up a space where Dark Night encloses it.
Bancha reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 4), opening up a space where Dark Night encloses it.
At LRV 84 vs 4, Pure White is decisively the brighter choice.
At LRV 21 vs 4, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 4), opening up a space where Dark Night encloses it.
Shoji White reflects far more light (LRV 74 vs 4), opening up a space where Dark Night encloses it.
Snowbound reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
At LRV 51 vs 4, Pigeon is decisively the brighter choice.
Pewter Green reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Duck Green reads slightly lighter (LRV 8 vs 4), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 4), opening up a space where Dark Night encloses it.
At LRV 41 vs 4, Dix Blue is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 4), opening up a space where Dark Night encloses it.
At LRV 31 vs 4, Pale Green is decisively the brighter choice.