Rembrandt Ruby vs Silver Lake
Both are Sherwin-Williams colors. Rembrandt Ruby reads as pink-red, while Silver Lake reads as blue-grey — two distinct hue families, not close cousins. At LRV 53 vs 13, Silver Lake will read as the brighter of the two — a 40-point gap that matters most in north-facing or low-light rooms. The tonal difference — Rembrandt Ruby's warm character against Silver Lake's cool — becomes most visible against white trim or in morning light. At ΔE 52.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Rembrandt Ruby vs Silver Lake in Real Spaces
1 real room side by side. Seeing Rembrandt Ruby and Silver Lake in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Silver Lake returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Rembrandt Ruby vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Rembrandt Ruby on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rembrandt Ruby comparisons
See how Rembrandt Ruby stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 13), opening up a space where Rembrandt Ruby encloses it.
At LRV 83 vs 13, White Dove is decisively the brighter choice.
A 7-point LRV gap (13 vs 6) makes Rembrandt Ruby the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 13), opening up a space where Rembrandt Ruby encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 13), opening up a space where Rembrandt Ruby encloses it.
At LRV 52 vs 13, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 13), opening up a space where Rembrandt Ruby encloses it.
At LRV 58 vs 13, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 13, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 13), opening up a space where Rembrandt Ruby encloses it.
Rembrandt Ruby reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 13, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 13), so neither reads brighter in a room.
At LRV 44 vs 13, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 13), opening up a space where Rembrandt Ruby encloses it.
Artichoke reads slightly lighter (LRV 21 vs 13), a gap that shows most in low-lit rooms.
At LRV 66 vs 13, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 13, Shoji White is decisively the brighter choice.
At LRV 83 vs 13, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 13), opening up a space where Rembrandt Ruby encloses it.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
A 4-point LRV gap (13 vs 8) makes Rembrandt Ruby the marginally brighter of the two.
At LRV 68 vs 13, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 13), opening up a space where Rembrandt Ruby encloses it.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 45 vs 13, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 13), opening up a space where Rembrandt Ruby encloses it.