Roycroft Adobe vs Silver Lake
Roycroft Adobe and Silver Lake come from the same Sherwin-Williams collection. Hue-wise, Roycroft Adobe belongs to the pink-red family and Silver Lake to the blue-grey family. The 35-point LRV gap — 53 for Silver Lake vs 18 for Roycroft Adobe — means Silver Lake will open up a space more effectively. Where Roycroft Adobe leans warm, Silver Lake reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 48.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Roycroft Adobe vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Roycroft Adobe on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Roycroft Adobe comparisons
See how Roycroft Adobe stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 18), opening up a space where Roycroft Adobe encloses it.
At LRV 83 vs 18, White Dove is decisively the brighter choice.
At LRV 18 vs 6, Roycroft Adobe is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 18), opening up a space where Roycroft Adobe encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 18), opening up a space where Roycroft Adobe encloses it.
At LRV 52 vs 18, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 18), opening up a space where Roycroft Adobe encloses it.
At LRV 58 vs 18, Accessible Beige is decisively the brighter choice.
A 9-point LRV gap (27 vs 18) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 18), opening up a space where Roycroft Adobe encloses it.
Roycroft Adobe reflects far more light (LRV 18 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 18, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (18 vs 13) makes Roycroft Adobe the marginally brighter of the two.
At LRV 44 vs 18, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 18), opening up a space where Roycroft Adobe encloses it.
Artichoke reads slightly lighter (LRV 21 vs 18), a gap that shows most in low-lit rooms.
At LRV 66 vs 18, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 18, Shoji White is decisively the brighter choice.
At LRV 83 vs 18, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 18), opening up a space where Roycroft Adobe encloses it.
A 6-point LRV gap (18 vs 12) makes Roycroft Adobe the marginally brighter of the two.
A 9-point LRV gap (18 vs 8) makes Roycroft Adobe the marginally brighter of the two.
At LRV 68 vs 18, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 18), opening up a space where Roycroft Adobe encloses it.
A 6-point LRV gap (18 vs 12) makes Roycroft Adobe the marginally brighter of the two.
At LRV 45 vs 18, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 18), opening up a space where Roycroft Adobe encloses it.