
Upward vs Gravity
Upward is a Sherwin-Williams color while Gravity comes from Valspar. Upward reads as blue, while Gravity reads as grey — two distinct hue families, not close cousins. With LRVs of 57 and 56, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 4.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Upward vs Gravity in Real Spaces
6 real rooms side by side. Upward and Gravity are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. The distinction reads clearly at room scale, making the choice between them concrete.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Upward vs Gravity Simulated Comparison
5 simulated room previews — drag the slider on each to see Upward on one side and Gravity on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Upward comparisons
See how Upward stacks up against other well-photographed colors across different brands and tones.



White Dove reflects far more light (LRV 83 vs 57), opening up a space where Upward encloses it.



A 6-point LRV gap (57 vs 52) makes Upward the marginally brighter of the two.



At LRV 57 vs 30, Upward is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.



With LRVs of 58 and 57, the two reflect almost the same amount of light.



Upward reflects far more light (LRV 57 vs 27), opening up a space where Denim Drift encloses it.



At LRV 57 vs 43, Upward is decisively the brighter choice.



With LRVs of 57 and 55, the two reflect almost the same amount of light.



Upward reflects far more light (LRV 57 vs 44), opening up a space where Hardwick White encloses it.



At LRV 84 vs 57, Pure White is decisively the brighter choice.



Balboa Mist reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.



Shoji White reflects far more light (LRV 74 vs 57), opening up a space where Upward encloses it.



Upward reflects far more light (LRV 57 vs 12), opening up a space where Pewter Green encloses it.



Upward reflects far more light (LRV 57 vs 8), opening up a space where Duck Green encloses it.



Skimming Stone reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.



Upward reflects far more light (LRV 57 vs 12), opening up a space where Vintage Vogue encloses it.



Upward reads slightly lighter (LRV 57 vs 45), a gap that shows most in low-lit rooms.



At LRV 57 vs 31, Upward is decisively the brighter choice.










































