Match Adobe Dust
Benjamin Moore Adobe Dust is a mid-tone shade, warm in character with an LRV of 34. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.
Their light reflectance is nearly identical (LRV 34 vs 33), so neither reads brighter in a room. A ΔE of 1.2 means the difference barely reads in a finished room.
With LRVs of 35 and 34, the two reflect almost the same amount of light. At ΔE 1.6 you'd need them side by side to tell them apart.
Their light reflectance is nearly identical (LRV 34 vs 32), so neither reads brighter in a room. A ΔE of 2.3 means the difference barely reads in a finished room.
With LRVs of 37 and 34, the two reflect almost the same amount of light. At ΔE 2.6 you'd need them side by side to tell them apart.
Their light reflectance is nearly identical (LRV 34 vs 32), so neither reads brighter in a room. The ΔE 3.4 gap is real but not dramatic — distinct as a choice, harmonious together.
A 4-point LRV gap (38 vs 34) makes Summer's End the marginally brighter of the two. The ΔE 3.6 gap is real but not dramatic — distinct as a choice, harmonious together.
Their light reflectance is nearly identical (LRV 34 vs 31), so neither reads brighter in a room. The ΔE 4.5 gap is real but not dramatic — distinct as a choice, harmonious together.
With LRVs of 34 and 31, the two reflect almost the same amount of light. At ΔE 4.7 they're clearly different, yet close enough to share a room.
Their light reflectance is nearly identical (LRV 34 vs 32), so neither reads brighter in a room. The ΔE 6.9 gap is real but not dramatic — distinct as a choice, harmonious together.
Adobe Dust reads slightly lighter (LRV 34 vs 28), a gap that shows most in low-lit rooms. At ΔE 8.9 they're clearly different, yet close enough to share a room.
Their light reflectance is nearly identical (LRV 34 vs 33), so neither reads brighter in a room. The ΔE 10.0 gap is real but not dramatic — distinct as a choice, harmonious together.
RAL 420-2 reads slightly lighter (LRV 46 vs 34), a gap that shows most in low-lit rooms. At ΔE 10.2 these are two genuinely different directions, not variations on a theme.
A 3-point LRV gap (34 vs 31) makes Adobe Dust the marginally brighter of the two. A ΔE of 13.4 puts them firmly in different territory — a strong contrast if combined.
With LRVs of 36 and 34, the two reflect almost the same amount of light. At ΔE 17.5 these are two genuinely different directions, not variations on a theme.