Match Yellow Tone
Benjamin Moore Yellow Tone is a light-reflective shade, warm in character with an LRV of 59. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.
With LRVs of 59 and 56, the two reflect almost the same amount of light. At ΔE 3.8 they're clearly different, yet close enough to share a room.
Inner Glow reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms. At ΔE 4.4 they're clearly different, yet close enough to share a room.
Their light reflectance is nearly identical (LRV 59 vs 57), so neither reads brighter in a room. The ΔE 4.9 gap is real but not dramatic — distinct as a choice, harmonious together.
Giallo reads slightly lighter (LRV 65 vs 59), a gap that shows most in low-lit rooms. At ΔE 6.4 they're clearly different, yet close enough to share a room.
At LRV 72 vs 59, RAL 260-2 is decisively the brighter choice. The ΔE 7.3 gap is real but not dramatic — distinct as a choice, harmonious together.
Citron reads slightly lighter (LRV 65 vs 59), a gap that shows most in low-lit rooms. At ΔE 8.9 they're clearly different, yet close enough to share a room.
At LRV 76 vs 59, Upbeat is decisively the brighter choice. The ΔE 9.1 gap is real but not dramatic — distinct as a choice, harmonious together.
Lemon Peel reflects far more light (LRV 82 vs 59), opening up a space where Yellow Tone encloses it. At ΔE 10.0 they're clearly different, yet close enough to share a room.
A 11-point LRV gap (70 vs 59) makes Banana Split the marginally brighter of the two. A ΔE of 13.0 puts them firmly in different territory — a strong contrast if combined.
Yellow Tone reflects far more light (LRV 59 vs 38), opening up a space where N391 encloses it. At ΔE 13.7 these are two genuinely different directions, not variations on a theme.
Yellow Tone reflects far more light (LRV 59 vs 43), opening up a space where Fibrous green encloses it. At ΔE 21.5 these are two genuinely different directions, not variations on a theme.
A 6-point LRV gap (59 vs 52) makes Yellow Tone the marginally brighter of the two. A ΔE of 26.9 puts them firmly in different territory — a strong contrast if combined.
Timid Absinthe reflects far more light (LRV 72 vs 59), opening up a space where Yellow Tone encloses it. At ΔE 30.3 these are two genuinely different directions, not variations on a theme.
Yellow Tone reflects far more light (LRV 59 vs 33), opening up a space where S 3030-Y30R encloses it. At ΔE 34.2 these are two genuinely different directions, not variations on a theme.