After Midnight featured
Benjamin MooreCSP-630

After Midnight

Benjamin Moore After Midnight (CSP-630) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its cool classification gives it a crisper edge that may become clearer beside warm timber, cream or brass. Move between the room imagery, color measurements and coordinating shades to build a fuller sense of how it might live in your space.

LRV

6.01

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Light Reflectance Value
6.01
Dark
TemperatureCool
Tone
Grounding
UseInterior Only
Collection

Coordinating Colors

After Midnight
After Midnight
Cloud Cover
Cloud Cover
After Midnight vs Cloud Cover
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Cloud Cover
OC-25 · LRV 80

Cloud Cover reflects far more light (LRV 80 vs 6), opening up a space where After Midnight encloses it.

After Midnight
After Midnight
Tropical Dusk
Tropical Dusk
After Midnight vs Tropical Dusk
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Tropical Dusk
2117-40 · LRV 23

At LRV 23 vs 6, Tropical Dusk is decisively the brighter choice.

After Midnight
After Midnight
Ally's Earring
Ally's Earring
After Midnight vs Ally's Earring
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Ally's Earring
CSP-125 · LRV 73

At LRV 73 vs 6, Ally's Earring is decisively the brighter choice.

After Midnight
After Midnight
Worn Leather Shoes
Worn Leather Shoes
After Midnight vs Worn Leather Shoes
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Worn Leather Shoes
CSP-135 · LRV 27

Worn Leather Shoes reflects far more light (LRV 27 vs 6), opening up a space where After Midnight encloses it.

Similar Colors

After Midnight
After Midnight
Three-Piece-Suit
Three-Piece-Suit
After Midnight vs Three-Piece-Suit
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Three-Piece-Suit
2062-10 · LRV 6

With LRVs of 6 and 6, the two reflect almost the same amount of light.

After Midnight
After Midnight
Black Ink
Black Ink
After Midnight vs Black Ink
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Black Ink
2127-20 · LRV 6

With LRVs of 6 and 6, the two reflect almost the same amount of light.

After Midnight
After Midnight
Soot
Soot
After Midnight vs Soot
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Soot
2129-20 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room.

After Midnight
After Midnight
Black Berry
Black Berry
After Midnight vs Black Berry
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Black Berry
2119-20 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room.

Complementary Colors

After Midnight
After Midnight
Night Shade
Night Shade
After Midnight vs Night Shade
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Night Shade
2116-10 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room.

After Midnight
After Midnight
Woodcliff Lake
Woodcliff Lake
After Midnight vs Woodcliff Lake
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Woodcliff Lake
980 · LRV 17

A 11-point LRV gap (17 vs 6) makes Woodcliff Lake the marginally brighter of the two.

After Midnight
After Midnight
Silver Fox
Silver Fox
After Midnight vs Silver Fox
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Silver Fox
2108-50 · LRV 44

At LRV 44 vs 6, Silver Fox is decisively the brighter choice.

After Midnight
After Midnight
Upper West Side
Upper West Side
After Midnight vs Upper West Side
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Upper West Side
CSP-70 · LRV 39

At LRV 39 vs 6, Upper West Side is decisively the brighter choice.

After Midnight
After Midnight
Himalayan Trek
Himalayan Trek
After Midnight vs Himalayan Trek
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Himalayan Trek
1542 · LRV 47

Himalayan Trek reflects far more light (LRV 47 vs 6), opening up a space where After Midnight encloses it.

After Midnight
After Midnight
Briarwood
Briarwood
After Midnight vs Briarwood
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Briarwood
HC-175 · LRV 32

At LRV 32 vs 6, Briarwood is decisively the brighter choice.

After Midnight
After Midnight
Thunder
Thunder
After Midnight vs Thunder
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Thunder
AF-685 · LRV 48

Thunder reflects far more light (LRV 48 vs 6), opening up a space where After Midnight encloses it.

Lighter Colors

After Midnight
After Midnight
Midnight Blue
Midnight Blue
After Midnight vs Midnight Blue
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Midnight Blue
1638 · LRV 8

With LRVs of 8 and 6, the two reflect almost the same amount of light.

After Midnight
After Midnight
Black Horizon
Black Horizon
After Midnight vs Black Horizon
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Black Horizon
2132-30 · LRV 8

With LRVs of 8 and 6, the two reflect almost the same amount of light.

After Midnight
After Midnight
Baby Seal Black
Baby Seal Black
After Midnight vs Baby Seal Black
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Baby Seal Black
2119-30 · LRV 9

With LRVs of 9 and 6, the two reflect almost the same amount of light.

After Midnight
After Midnight
Soot
Soot
After Midnight vs Soot
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Soot
2129-20 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room.

After Midnight
After Midnight
Gravel Gray
Gravel Gray
After Midnight vs Gravel Gray
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Gravel Gray
2127-30 · LRV 8

With LRVs of 8 and 6, the two reflect almost the same amount of light.

Color Codes

RGB51, 56, 62
HSL213° 10% 22%
CMYK18 10 0 76
CIE LabL: 23.3 a: -0.6 b: -4.5
XYZX: 0.04 Y: 0.04 Z: 0.05

Manufacturer description

An inky blue-black, dark as midnight, but with so much more depth. Nighttime never looked so inviting.

Attributed to Benjamin Moore catalog data ↗