Approaching Autumn featured
Benjamin MooreCSP-1090

Approaching Autumn

At first glance, Approaching Autumn belongs to the orange family; in a room, light and context can make it far more elusive. An LRV of 45.7 places it through the middle of the scale, where color and depth can remain visible as the light changes. Its related shades below reveal where the color harmonizes—and where contrast brings it fully to life.

LRV

45.68

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Light Reflectance Value
45.68
Medium
TemperatureWarm
UseInterior Only
Collection

Coordinating Colors

Approaching Autumn
Approaching Autumn
Cotton Balls
Cotton Balls
Approaching Autumn vs Cotton Balls
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Cotton Balls
OC-122 · LRV 89

Cotton Balls reflects far more light (LRV 89 vs 46), opening up a space where Approaching Autumn encloses it.

Approaching Autumn
Approaching Autumn
Gentle Cream
Gentle Cream
Approaching Autumn vs Gentle Cream
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Gentle Cream
OC-96 · LRV 71

Gentle Cream reflects far more light (LRV 71 vs 46), opening up a space where Approaching Autumn encloses it.

Approaching Autumn
Approaching Autumn
Cappuccino Froth
Cappuccino Froth
Approaching Autumn vs Cappuccino Froth
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Cappuccino Froth
CSP-1055 · LRV 77

At LRV 77 vs 46, Cappuccino Froth is decisively the brighter choice.

Approaching Autumn
Approaching Autumn
Approaching Storm
Approaching Storm
Approaching Autumn vs Approaching Storm
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Approaching Storm
CSP-535 · LRV 9

Approaching Autumn reflects far more light (LRV 46 vs 9), opening up a space where Approaching Storm encloses it.

Similar Colors

Approaching Autumn
Approaching Autumn
Dark Beige
Dark Beige
Approaching Autumn vs Dark Beige
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Dark Beige
2165-40 · LRV 47

With LRVs of 47 and 46, the two reflect almost the same amount of light.

Approaching Autumn
Approaching Autumn
Boardwalk
Boardwalk
Approaching Autumn vs Boardwalk
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Boardwalk
1102 · LRV 47

Their light reflectance is nearly identical (LRV 47 vs 46), so neither reads brighter in a room.

Approaching Autumn
Approaching Autumn
Creamy Custard
Creamy Custard
Approaching Autumn vs Creamy Custard
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Creamy Custard
1145 · LRV 45

Their light reflectance is nearly identical (LRV 46 vs 45), so neither reads brighter in a room.

Approaching Autumn
Approaching Autumn
Tawny Bisque
Tawny Bisque
Approaching Autumn vs Tawny Bisque
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Tawny Bisque
1110 · LRV 47

With LRVs of 47 and 46, the two reflect almost the same amount of light.

Complementary Colors

Approaching Autumn
Approaching Autumn
Province Blue
Province Blue
Approaching Autumn vs Province Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Province Blue
2135-40 · LRV 32

At LRV 46 vs 32, Approaching Autumn is decisively the brighter choice.

Approaching Autumn
Approaching Autumn
Blue Dusk
Blue Dusk
Approaching Autumn vs Blue Dusk
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 46 vs 24, Approaching Autumn is decisively the brighter choice.

Approaching Autumn
Approaching Autumn
Hamilton Blue
Hamilton Blue
Approaching Autumn vs Hamilton Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Hamilton Blue
HC-191 · LRV 18

Approaching Autumn reflects far more light (LRV 46 vs 18), opening up a space where Hamilton Blue encloses it.

Approaching Autumn
Approaching Autumn
First Snowfall
First Snowfall
Approaching Autumn vs First Snowfall
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
First Snowfall
1618 · LRV 74

At LRV 74 vs 46, First Snowfall is decisively the brighter choice.

Approaching Autumn
Approaching Autumn
Wild Blue Yonder
Wild Blue Yonder
Approaching Autumn vs Wild Blue Yonder
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Wild Blue Yonder
CSP-620 · LRV 27

Approaching Autumn reflects far more light (LRV 46 vs 27), opening up a space where Wild Blue Yonder encloses it.

Approaching Autumn
Approaching Autumn
Brush Blue
Brush Blue
Approaching Autumn vs Brush Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Brush Blue
CW-675 · LRV 10

Approaching Autumn reflects far more light (LRV 46 vs 10), opening up a space where Brush Blue encloses it.

Approaching Autumn
Approaching Autumn
Manor Blue
Manor Blue
Approaching Autumn vs Manor Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Manor Blue
1627 · LRV 47

With LRVs of 47 and 46, the two reflect almost the same amount of light.

Lighter Colors

Approaching Autumn
Approaching Autumn
Apricot Beige
Apricot Beige
Approaching Autumn vs Apricot Beige
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Apricot Beige
1205 · LRV 55

A 9-point LRV gap (55 vs 46) makes Apricot Beige the marginally brighter of the two.

Approaching Autumn
Approaching Autumn
Serendipity
Serendipity
Approaching Autumn vs Serendipity
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Serendipity
AF-205 · LRV 47

Their light reflectance is nearly identical (LRV 47 vs 46), so neither reads brighter in a room.

Approaching Autumn
Approaching Autumn
Raleigh Peach
Raleigh Peach
Approaching Autumn vs Raleigh Peach
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Raleigh Peach
CW-205 · LRV 63

Raleigh Peach reflects far more light (LRV 63 vs 46), opening up a space where Approaching Autumn encloses it.

Approaching Autumn
Approaching Autumn
Powder Puff
Powder Puff
Approaching Autumn vs Powder Puff
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Powder Puff
1143 · LRV 62

Powder Puff reflects far more light (LRV 62 vs 46), opening up a space where Approaching Autumn encloses it.

Approaching Autumn
Approaching Autumn
Yellow Squash
Yellow Squash
Approaching Autumn vs Yellow Squash
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Yellow Squash
2161-50 · LRV 60

Yellow Squash reflects far more light (LRV 60 vs 46), opening up a space where Approaching Autumn encloses it.

Darker Colors

Approaching Autumn
Approaching Autumn
Venetian Gold
Venetian Gold
Approaching Autumn vs Venetian Gold
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Venetian Gold
2158-20 · LRV 28

Approaching Autumn reflects far more light (LRV 46 vs 28), opening up a space where Venetian Gold encloses it.

Approaching Autumn
Approaching Autumn
Harvest Bronze
Harvest Bronze
Approaching Autumn vs Harvest Bronze
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Harvest Bronze
1146 · LRV 35

Approaching Autumn reads slightly lighter (LRV 46 vs 35), a gap that shows most in low-lit rooms.

Approaching Autumn
Approaching Autumn
Peach Brandy
Peach Brandy
Approaching Autumn vs Peach Brandy
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Peach Brandy
112 · LRV 29

Approaching Autumn reflects far more light (LRV 46 vs 29), opening up a space where Peach Brandy encloses it.

Approaching Autumn
Approaching Autumn
Warm Sunglow
Warm Sunglow
Approaching Autumn vs Warm Sunglow
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Warm Sunglow
CSP-1070 · LRV 36

Approaching Autumn reads slightly lighter (LRV 46 vs 36), a gap that shows most in low-lit rooms.

Approaching Autumn
Approaching Autumn
Dark Beige
Dark Beige
Approaching Autumn vs Dark Beige
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Dark Beige
2165-40 · LRV 47

With LRVs of 47 and 46, the two reflect almost the same amount of light.

Color Codes

RGB218, 174, 133
HSL29° 53% 69%
CMYK0 20 39 15
CIE LabL: 74.1 a: 10.6 b: 27.1
XYZX: 0.48 Y: 0.47 Z: 0.29

Manufacturer description

The setting sun cast its warm glow across the fields, promising that a bountiful harvest would not be far behind.

Attributed to Benjamin Moore catalog data ↗