Everard Blue featured
Benjamin MooreCW-575

Everard Blue

Benjamin Moore's Everard Blue is a blue shade whose quieter details emerge through comparison. Its cool classification gives it a crisper edge that may become clearer beside warm timber, cream or brass. Its related shades below reveal where the color harmonizes—and where contrast brings it fully to life.

LRV

10.31

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Light Reflectance Value
10.31
Dark
TemperatureCool
Tone
GroundingTimeless
UseInterior & Exterior

Everard Blue in Rooms

Follow Everard Blue from one space to another and watch how light, scale and surrounding materials reshape its character. 4 sourced room photos offer a closer look at the color in lived-in settings.

1 Bedroom Photo

Across 1 bedroom image, Everard Blue (CW-575) meets gentle morning light and low evening lamps. Its cool classification can bring a composed, clean tension to warmer finishes.

Everard Blue Bedroom

Bedroom walls in Everard Blue establish a tranquil sleeping sanctuary.

@katerthegreater

1 Front Door Photo

Everard Blue (CW-575) moves through 1 front door image without becoming a fixed prescription for the room. Its cool classification can bring a composed, clean tension to warmer finishes.

Bm Everard Blue Front Door

Front door painted Everard Blue commands attention at the entryway.

@wmbgbrand

2 Misc Photos

2 sourced room photos give the gallery a lived-in point of reference. Together they show Everard Blue (CW-575) as inspiration rather than a promise of an identical result.

Bm Everard Blue Wall Paint

Wall surfaces in Everard Blue deliver striking visual impact throughout.

@kentonavenue

Everard Blue Accent Wall

Accent wall in Everard Blue anchors the room with rich color.

@katiej_vid

Coordinating Colors

Everard Blue
Everard Blue
Harwood Putty
Harwood Putty
Everard Blue vs Harwood Putty
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Harwood Putty
CW-5 · LRV 83

At LRV 83 vs 10, Harwood Putty is decisively the brighter choice.

Decorator's White
Decorator's White
Everard Blue
Everard Blue
Decorator's White vs Everard Blue
Benjamin Moore
Decorator's White
OC-149 · LRV 83
Benjamin Moore
Everard Blue
CW-575 · LRV 10

At LRV 83 vs 10, Decorator's White is decisively the brighter choice.

Everard Blue
Everard Blue
Stonington Gray
Stonington Gray
Everard Blue vs Stonington Gray
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Stonington Gray
HC-170 · LRV 59

At LRV 59 vs 10, Stonington Gray is decisively the brighter choice.

Everard Blue
Everard Blue
Greenhow Blue
Greenhow Blue
Everard Blue vs Greenhow Blue
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Greenhow Blue
CW-655 · LRV 55

At LRV 55 vs 10, Greenhow Blue is decisively the brighter choice.

Complementary Colors

Everard Blue
Everard Blue
Quietly Violet
Quietly Violet
Everard Blue vs Quietly Violet
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Quietly Violet
CSP-415 · LRV 22

Quietly Violet reads slightly lighter (LRV 22 vs 10), a gap that shows most in low-lit rooms.

Desert Shadows
Desert Shadows
Everard Blue
Everard Blue
Desert Shadows vs Everard Blue
Benjamin Moore
Desert Shadows
2114-30 · LRV 12
Benjamin Moore
Everard Blue
CW-575 · LRV 10

Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.

Everard Blue
Everard Blue
Hint of Violet
Hint of Violet
Everard Blue vs Hint of Violet
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Hint of Violet
2114-60 · LRV 66

Hint of Violet reflects far more light (LRV 66 vs 10), opening up a space where Everard Blue encloses it.

Antique Pearl
Antique Pearl
Everard Blue
Everard Blue
Antique Pearl vs Everard Blue
Benjamin Moore
Antique Pearl
2113-70 · LRV 72
Benjamin Moore
Everard Blue
CW-575 · LRV 10

At LRV 72 vs 10, Antique Pearl is decisively the brighter choice.

Everard Blue
Everard Blue
Night Shade
Night Shade
Everard Blue vs Night Shade
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Night Shade
2116-10 · LRV 6

Everard Blue reads slightly lighter (LRV 10 vs 6), a gap that shows most in low-lit rooms.

Brownstone
Brownstone
Everard Blue
Everard Blue
Brownstone vs Everard Blue
Benjamin Moore
Brownstone
CSP-240 · LRV 8
Benjamin Moore
Everard Blue
CW-575 · LRV 10

With LRVs of 10 and 8, the two reflect almost the same amount of light.

Everard Blue
Everard Blue
Studio Clay
Studio Clay
Everard Blue vs Studio Clay
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Studio Clay
CSP-380 · LRV 29

Studio Clay reflects far more light (LRV 29 vs 10), opening up a space where Everard Blue encloses it.

Lighter Colors

Bella Blue
Bella Blue
Everard Blue
Everard Blue
Bella Blue vs Everard Blue
Benjamin Moore
Bella Blue
720 · LRV 18
Benjamin Moore
Everard Blue
CW-575 · LRV 10

Bella Blue reads slightly lighter (LRV 18 vs 10), a gap that shows most in low-lit rooms.

Everard Blue
Everard Blue
Olympus Green
Olympus Green
Everard Blue vs Olympus Green
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Olympus Green
679 · LRV 9

Their light reflectance is nearly identical (LRV 10 vs 9), so neither reads brighter in a room.

Everard Blue
Everard Blue
Fair Isle Blue
Fair Isle Blue
Everard Blue vs Fair Isle Blue
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Fair Isle Blue
CSP-715 · LRV 16

A 5-point LRV gap (16 vs 10) makes Fair Isle Blue the marginally brighter of the two.

Everard Blue
Everard Blue
Stained Glass
Stained Glass
Everard Blue vs Stained Glass
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

Their light reflectance is nearly identical (LRV 13 vs 10), so neither reads brighter in a room.

Darker Colors

Everard Blue
Everard Blue
Miramichi
Miramichi
Everard Blue vs Miramichi
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Miramichi
CC-752 · LRV 7

Everard Blue reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.

Color Codes

RGB61, 84, 89
HSL191° 19% 29%
CMYK31 6 0 65
CIE LabL: 34.1 a: -7.4 b: -5.8
XYZX: 0.07 Y: 0.08 Z: 0.11

Manufacturer description

Shades of green shine through this deep, rich blue, based on a 1720s interior color found in the Thomas Everard House on Palace Green.

Attributed to Benjamin Moore catalog data ↗