Glacial Till featured
Benjamin MooreAF-390

Glacial Till

Benjamin Moore Glacial Till (AF-390) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its beige and greige classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. The manufacturer's description below offers one reading; the room imagery leaves space for your own.

LRV

47.20

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Light Reflectance Value
47.20
Medium
TemperatureWarm
Tone
CalmingCharmingCozyMoodyPale
UseInterior & Exterior

Glacial Till in Rooms

Follow Glacial Till from one space to another and watch how light, scale and surrounding materials reshape its character. 5 sourced room photos offer a closer look at the color in lived-in settings.

3 Living Room Photos

The room’s shift from daytime energy to evening calm can draw different notes from Glacial Till (AF-390). The beige, greige hue classifications suggest the subtle directions the color may take as the room changes.

Benjamin Moore AF-390 living room photo

Living room walls in Glacial Till establish a calm, collected mood.

@callahan_interiordesign

Benjamin Moore Glacial Till living room paint review

Glacial Till paint creates soft, sophisticated walls in this living space.

@callahan_interiordesign

Benjamin Moore Glacial Till living room interior

This living room's Glacial Till walls provide serene, neutral elegance.

@callahan_interiordesign

1 Mudroom Photo

Glacial Till (AF-390) moves through 1 mudroom image without becoming a fixed prescription for the room. Its warm classification can feel inviting beside tactile, natural materials.

Benjamin Moore Glacial Till laundry room color

Mudroom walls in Glacial Till offer durable, refined backdrop appeal.

@callahan_interiordesign

1 Misc Photo

Viewed across 1 misc image in an assortment of spaces that reveals the color outside a single design formula, Glacial Till (AF-390) reveals how much color depends on scale, surface and shadow. An LRV of 47.2 lets the color hold its identity across both brighter and more shaded parts of the room.

Benjamin Moore Glacial Till painted furniture

Painted furniture in Glacial Till gains subtle, sophisticated character.

@kitchengalleryinteriors

Coordinating Colors

Glacial Till
Glacial Till
Steam
Steam
Glacial Till vs Steam
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Steam
AF-15 · LRV 84

At LRV 84 vs 47, Steam is decisively the brighter choice.

Glacial Till
Glacial Till
Knoxville Gray
Knoxville Gray
Glacial Till vs Knoxville Gray
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Knoxville Gray
HC-160 · LRV 16

Glacial Till reflects far more light (LRV 47 vs 16), opening up a space where Knoxville Gray encloses it.

Glacial Till
Glacial Till
Satchel
Satchel
Glacial Till vs Satchel
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Satchel
AF-240 · LRV 12

At LRV 47 vs 12, Glacial Till is decisively the brighter choice.

Glacial Till
Glacial Till
White Dove
White Dove
Glacial Till vs White Dove
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
White Dove
OC-17 · LRV 83

White Dove reflects far more light (LRV 83 vs 47), opening up a space where Glacial Till encloses it.

Similar Colors

Coastal Path
Coastal Path
Glacial Till
Glacial Till
Coastal Path vs Glacial Till
Benjamin Moore
Coastal Path
AF-380 · LRV 45
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Their light reflectance is nearly identical (LRV 47 vs 45), so neither reads brighter in a room.

Glacial Till
Glacial Till
Kangaroo
Kangaroo
Glacial Till vs Kangaroo
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Kangaroo
AF-145 · LRV 44

A 3-point LRV gap (47 vs 44) makes Glacial Till the marginally brighter of the two.

Glacial Till
Glacial Till
Sierra Hills
Sierra Hills
Glacial Till vs Sierra Hills
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Sierra Hills
1053 · LRV 49

Their light reflectance is nearly identical (LRV 49 vs 47), so neither reads brighter in a room.

Complementary Colors

Glacial Till
Glacial Till
Normandy
Normandy
Glacial Till vs Normandy
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Normandy
2129-40 · LRV 22

Glacial Till reflects far more light (LRV 47 vs 22), opening up a space where Normandy encloses it.

Feather Gray
Feather Gray
Glacial Till
Glacial Till
Feather Gray vs Glacial Till
Benjamin Moore
Feather Gray
2127-60 · LRV 58
Benjamin Moore
Glacial Till
AF-390 · LRV 47

A 11-point LRV gap (58 vs 47) makes Feather Gray the marginally brighter of the two.

Bachelor Blue
Bachelor Blue
Glacial Till
Glacial Till
Bachelor Blue vs Glacial Till
Benjamin Moore
Bachelor Blue
1629 · LRV 24
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reflects far more light (LRV 47 vs 24), opening up a space where Bachelor Blue encloses it.

Glacial Till
Glacial Till
Mineral Alloy
Mineral Alloy
Glacial Till vs Mineral Alloy
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Mineral Alloy
1622 · LRV 28

Glacial Till reflects far more light (LRV 47 vs 28), opening up a space where Mineral Alloy encloses it.

Coastline
Coastline
Glacial Till
Glacial Till
Coastline vs Glacial Till
Benjamin Moore
Coastline
AF-570 · LRV 34
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 47 vs 34, Glacial Till is decisively the brighter choice.

Comet
Comet
Glacial Till
Glacial Till
Comet vs Glacial Till
Benjamin Moore
Comet
1628 · LRV 36
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reads slightly lighter (LRV 47 vs 36), a gap that shows most in low-lit rooms.

Andes Summit
Andes Summit
Glacial Till
Glacial Till
Andes Summit vs Glacial Till
Benjamin Moore
Andes Summit
CSP-600 · LRV 14
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 47 vs 14, Glacial Till is decisively the brighter choice.

Lighter Colors

Coastal Fog
Coastal Fog
Glacial Till
Glacial Till
Coastal Fog vs Glacial Till
Benjamin Moore
Coastal Fog
976 · LRV 53
Benjamin Moore
Glacial Till
AF-390 · LRV 47

A 6-point LRV gap (53 vs 47) makes Coastal Fog the marginally brighter of the two.

Glacial Till
Glacial Till
Skipping Stone
Skipping Stone
Glacial Till vs Skipping Stone
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Skipping Stone
CSP-155 · LRV 62

Skipping Stone reflects far more light (LRV 62 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Glacial Till
Natural Cream
Natural Cream
Glacial Till vs Natural Cream
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Natural Cream
OC-14 · LRV 65

At LRV 65 vs 47, Natural Cream is decisively the brighter choice.

Glacial Till
Glacial Till
Inner Balance
Inner Balance
Glacial Till vs Inner Balance
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Inner Balance
1522 · LRV 56

Inner Balance reads slightly lighter (LRV 56 vs 47), a gap that shows most in low-lit rooms.

Glacial Till
Glacial Till
York Gray
York Gray
Glacial Till vs York Gray
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
York Gray
CW-45 · LRV 59

York Gray reads slightly lighter (LRV 59 vs 47), a gap that shows most in low-lit rooms.

Darker Colors

Bennington Gray
Bennington Gray
Glacial Till
Glacial Till
Bennington Gray vs Glacial Till
Benjamin Moore
Bennington Gray
HC-82 · LRV 47
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Their light reflectance is nearly identical (LRV 47 vs 47), so neither reads brighter in a room.

Glacial Till
Glacial Till
Green Tea
Green Tea
Glacial Till vs Green Tea
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Green Tea
236 · LRV 28

Glacial Till reflects far more light (LRV 47 vs 28), opening up a space where Green Tea encloses it.

Glacial Till
Glacial Till
Woodstock Tan
Woodstock Tan
Glacial Till vs Woodstock Tan
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Woodstock Tan
HC-20 · LRV 29

Glacial Till reflects far more light (LRV 47 vs 29), opening up a space where Woodstock Tan encloses it.

Glacial Till
Glacial Till
Northampton Putty
Northampton Putty
Glacial Till vs Northampton Putty
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Benjamin Moore
Northampton Putty
HC-89 · LRV 33

At LRV 47 vs 33, Glacial Till is decisively the brighter choice.

Danville Tan
Danville Tan
Glacial Till
Glacial Till
Danville Tan vs Glacial Till
Benjamin Moore
Danville Tan
HC-91 · LRV 41
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reads slightly lighter (LRV 47 vs 41), a gap that shows most in low-lit rooms.

Color Codes

RGB195, 183, 157
HSL41° 24% 69%
CMYK0 6 19 24
CIE LabL: 74.8 a: -0.0 b: 14.8
XYZX: 0.46 Y: 0.48 Z: 0.39

Manufacturer description

A comforting beige that can read gray in certain situations.

Attributed to Benjamin Moore catalog data ↗