Baked Clay featured
Sherwin-Williams6340

Baked Clay

Sherwin-Williams Baked Clay (6340) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its beige and pink classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. The manufacturer's description below offers one reading; the room imagery leaves space for your own.

LRV

25.55

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Light Reflectance Value
25.55
Medium
TemperatureWarm
SaturationMidtone
Collection

Baked Clay's Color Strip

Baked Clay is the fifth shade on this 7-color strip, sitting between Subdued Sienna and Red Cent. The strip spans from Spun Sugar at the lightest end to Spicy Hue at the deepest. Browsing strip 124 alongside this color helps you gauge whether to go lighter, darker, or stay right here.

Baked Clay in Rooms

Follow Baked Clay from one space to another and watch how light, scale and surrounding materials reshape its character. 1 sourced room photo offers a closer look at the color in lived-in settings.

1 Front Door Photo

In a small architectural moment with an outsized first impression, the most interesting quality of Baked Clay (6340) may be the way it responds to hardware, glazing, masonry, timber and surrounding trim. The beige, pink hue classifications suggest the subtle directions the color may take as the room changes.

Sherwin Williams Baked Clay front door

Front door painted in Baked Clay makes a warm, welcoming first impression.

@kerianneaec

Coordinating Colors

Baked Clay
Baked Clay
Nearly Peach
Baked Clay vs Nearly Peach
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Nearly Peach
6336 · LRV 75

Nearly Peach reflects far more light (LRV 75 vs 26), opening up a space where Baked Clay encloses it.

Baked Clay
Baked Clay
Pueblo
Baked Clay vs Pueblo
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Pueblo
7711 · LRV 66

Pueblo reflects far more light (LRV 66 vs 26), opening up a space where Baked Clay encloses it.

Baked Clay
Baked Clay
Parisian Patina
Parisian Patina
Baked Clay vs Parisian Patina
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Parisian Patina
9041 · LRV 30

Parisian Patina reads slightly lighter (LRV 30 vs 26), a gap that shows most in low-lit rooms.

Trim Color

Baked Clay
Baked Clay
Nearly Peach
Baked Clay vs Nearly Peach
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Nearly Peach
6336 · LRV 75

Nearly Peach reflects far more light (LRV 75 vs 26), opening up a space where Baked Clay encloses it.

Similar Colors

Baked Clay
Baked Clay
Caribbean Coral
Caribbean Coral
Baked Clay vs Caribbean Coral
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Caribbean Coral
2854 · LRV 25

With LRVs of 26 and 25, the two reflect almost the same amount of light.

Baked Clay
Baked Clay
Chrysanthemum
Chrysanthemum
Baked Clay vs Chrysanthemum
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Chrysanthemum
6347 · LRV 27

Their light reflectance is nearly identical (LRV 27 vs 26), so neither reads brighter in a room.

Baked Clay
Baked Clay
Copper Wire
Copper Wire
Baked Clay vs Copper Wire
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Copper Wire
7707 · LRV 27

With LRVs of 27 and 26, the two reflect almost the same amount of light.

Baked Clay
Baked Clay
Spiced Cider
Spiced Cider
Baked Clay vs Spiced Cider
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Spiced Cider
7702 · LRV 23

Their light reflectance is nearly identical (LRV 26 vs 23), so neither reads brighter in a room.

Baked Clay
Baked Clay
Emberglow
Emberglow
Baked Clay vs Emberglow
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Emberglow
6627 · LRV 29

A 4-point LRV gap (29 vs 26) makes Emberglow the marginally brighter of the two.

Armagnac
Armagnac
Baked Clay
Baked Clay
Armagnac vs Baked Clay
Sherwin-Williams
Armagnac
6354 · LRV 28
Sherwin-Williams
Baked Clay
6340 · LRV 26

Their light reflectance is nearly identical (LRV 28 vs 26), so neither reads brighter in a room.

Baked Clay
Baked Clay
Decorous Amber
Decorous Amber
Baked Clay vs Decorous Amber
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Decorous Amber
0007 · LRV 22

A 3-point LRV gap (26 vs 22) makes Baked Clay the marginally brighter of the two.

Baked Clay
Baked Clay
Subdued Sienna
Subdued Sienna
Baked Clay vs Subdued Sienna
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Subdued Sienna
9009 · LRV 32

Subdued Sienna reads slightly lighter (LRV 32 vs 26), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Rojo Dust
Rojo Dust
Baked Clay vs Rojo Dust
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Rojo Dust
9006 · LRV 23

With LRVs of 26 and 23, the two reflect almost the same amount of light.

Baked Clay
Baked Clay
Reynard
Baked Clay vs Reynard
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Reynard
6348 · LRV 20

Baked Clay reads slightly lighter (LRV 26 vs 20), a gap that shows most in low-lit rooms.

Complementary Colors

Baked Clay
Baked Clay
Niebla Azul
Niebla Azul
Baked Clay vs Niebla Azul
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Niebla Azul
9137 · LRV 53

At LRV 53 vs 26, Niebla Azul is decisively the brighter choice.

Baked Clay
Baked Clay
Silver Lake
Silver Lake
Baked Clay vs Silver Lake
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Silver Lake
9633 · LRV 53

Silver Lake reflects far more light (LRV 53 vs 26), opening up a space where Baked Clay encloses it.

Baked Clay
Baked Clay
Riverway
Riverway
Baked Clay vs Riverway
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Riverway
6222 · LRV 16

Baked Clay reads slightly lighter (LRV 26 vs 16), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Glass Bead
Glass Bead
Baked Clay vs Glass Bead
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Glass Bead
6805 · LRV 77

Glass Bead reflects far more light (LRV 77 vs 26), opening up a space where Baked Clay encloses it.

Baked Clay
Baked Clay
Morning at Sea
Morning at Sea
Baked Clay vs Morning at Sea
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Morning at Sea
9634 · LRV 29

A 4-point LRV gap (29 vs 26) makes Morning at Sea the marginally brighter of the two.

Baked Clay
Baked Clay
Mount Etna
Mount Etna
Baked Clay vs Mount Etna
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Mount Etna
7625 · LRV 6

At LRV 26 vs 6, Baked Clay is decisively the brighter choice.

Baked Clay
Baked Clay
Debonair
Debonair
Baked Clay vs Debonair
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Debonair
9139 · LRV 34

A 8-point LRV gap (34 vs 26) makes Debonair the marginally brighter of the two.

Lighter Colors

Baked Clay
Baked Clay
Mellow Mauve
Mellow Mauve
Baked Clay vs Mellow Mauve
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Mellow Mauve
0039 · LRV 35

Mellow Mauve reads slightly lighter (LRV 35 vs 26), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Caribbean Coral
Caribbean Coral
Baked Clay vs Caribbean Coral
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Caribbean Coral
2854 · LRV 25

With LRVs of 26 and 25, the two reflect almost the same amount of light.

Baked Clay
Baked Clay
Rose Tan
Rose Tan
Baked Clay vs Rose Tan
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Rose Tan
0069 · LRV 38

Rose Tan reflects far more light (LRV 38 vs 26), opening up a space where Baked Clay encloses it.

Baked Clay
Baked Clay
Constant Coral
Constant Coral
Baked Clay vs Constant Coral
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Constant Coral
6325 · LRV 34

A 8-point LRV gap (34 vs 26) makes Constant Coral the marginally brighter of the two.

Baked Clay
Baked Clay
Coral Island
Coral Island
Baked Clay vs Coral Island
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Coral Island
6332 · LRV 36

Coral Island reads slightly lighter (LRV 36 vs 26), a gap that shows most in low-lit rooms.

Darker Colors

Baked Clay
Baked Clay
Pennywise
Baked Clay vs Pennywise
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Pennywise
6349 · LRV 15

A 11-point LRV gap (26 vs 15) makes Baked Clay the marginally brighter of the two.

Baked Clay
Baked Clay
Reynard
Baked Clay vs Reynard
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Reynard
6348 · LRV 20

Baked Clay reads slightly lighter (LRV 26 vs 20), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Rookwood Terra Cotta
Rookwood Terra Cotta
Baked Clay vs Rookwood Terra Cotta
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Rookwood Terra Cotta
2803 · LRV 14

Baked Clay reads slightly lighter (LRV 26 vs 14), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Husky Orange
Husky Orange
Baked Clay vs Husky Orange
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Husky Orange
6636 · LRV 19

Baked Clay reads slightly lighter (LRV 26 vs 19), a gap that shows most in low-lit rooms.

Baked Clay
Baked Clay
Copper Mountain
Copper Mountain
Baked Clay vs Copper Mountain
Sherwin-Williams
Baked Clay
6340 · LRV 26
Sherwin-Williams
Copper Mountain
6356 · LRV 17

Baked Clay reads slightly lighter (LRV 26 vs 17), a gap that shows most in low-lit rooms.

Color Codes

RGB193, 120, 92
HSL17° 45% 56%
CMYK0 38 52 24
CIE LabL: 57.6 a: 25.6 b: 27.3
XYZX: 30.64 Y: 25.55 Z: 13.44
Strip124 pos. C5

Manufacturer description

This deep, earthy orange wraps any room in its warm glow. We often see this hue used as the base of a Southwestern or rustic color scheme.

Attributed to Sherwin-Williams catalog data ↗