
Baked Clay
Sherwin-Williams Baked Clay (6340) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its beige and pink classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. The manufacturer's description below offers one reading; the room imagery leaves space for your own.
Hex
#C1785CLRV
25.55
Baked Clay's Color Strip
Baked Clay is the fifth shade on this 7-color strip, sitting between Subdued Sienna and Red Cent. The strip spans from Spun Sugar at the lightest end to Spicy Hue at the deepest. Browsing strip 124 alongside this color helps you gauge whether to go lighter, darker, or stay right here.
Baked Clay in Rooms
Follow Baked Clay from one space to another and watch how light, scale and surrounding materials reshape its character. 1 sourced room photo offers a closer look at the color in lived-in settings.
1 Front Door Photo
In a small architectural moment with an outsized first impression, the most interesting quality of Baked Clay (6340) may be the way it responds to hardware, glazing, masonry, timber and surrounding trim. The beige, pink hue classifications suggest the subtle directions the color may take as the room changes.

Front door painted in Baked Clay makes a warm, welcoming first impression.
@kerianneaec
Coordinating Colors


Nearly Peach reflects far more light (LRV 75 vs 26), opening up a space where Baked Clay encloses it.


Pueblo reflects far more light (LRV 66 vs 26), opening up a space where Baked Clay encloses it.



Parisian Patina reads slightly lighter (LRV 30 vs 26), a gap that shows most in low-lit rooms.
Trim Color


Nearly Peach reflects far more light (LRV 75 vs 26), opening up a space where Baked Clay encloses it.
Similar Colors



With LRVs of 26 and 25, the two reflect almost the same amount of light.



Their light reflectance is nearly identical (LRV 27 vs 26), so neither reads brighter in a room.



With LRVs of 27 and 26, the two reflect almost the same amount of light.



Their light reflectance is nearly identical (LRV 26 vs 23), so neither reads brighter in a room.



A 4-point LRV gap (29 vs 26) makes Emberglow the marginally brighter of the two.



Their light reflectance is nearly identical (LRV 28 vs 26), so neither reads brighter in a room.



A 3-point LRV gap (26 vs 22) makes Baked Clay the marginally brighter of the two.



Subdued Sienna reads slightly lighter (LRV 32 vs 26), a gap that shows most in low-lit rooms.



With LRVs of 26 and 23, the two reflect almost the same amount of light.


Baked Clay reads slightly lighter (LRV 26 vs 20), a gap that shows most in low-lit rooms.
Complementary Colors



At LRV 53 vs 26, Niebla Azul is decisively the brighter choice.



Silver Lake reflects far more light (LRV 53 vs 26), opening up a space where Baked Clay encloses it.



Baked Clay reads slightly lighter (LRV 26 vs 16), a gap that shows most in low-lit rooms.



Glass Bead reflects far more light (LRV 77 vs 26), opening up a space where Baked Clay encloses it.



A 4-point LRV gap (29 vs 26) makes Morning at Sea the marginally brighter of the two.



At LRV 26 vs 6, Baked Clay is decisively the brighter choice.



A 8-point LRV gap (34 vs 26) makes Debonair the marginally brighter of the two.
Lighter Colors



Mellow Mauve reads slightly lighter (LRV 35 vs 26), a gap that shows most in low-lit rooms.



With LRVs of 26 and 25, the two reflect almost the same amount of light.



Rose Tan reflects far more light (LRV 38 vs 26), opening up a space where Baked Clay encloses it.



A 8-point LRV gap (34 vs 26) makes Constant Coral the marginally brighter of the two.



Coral Island reads slightly lighter (LRV 36 vs 26), a gap that shows most in low-lit rooms.
Darker Colors


A 11-point LRV gap (26 vs 15) makes Baked Clay the marginally brighter of the two.


Baked Clay reads slightly lighter (LRV 26 vs 20), a gap that shows most in low-lit rooms.



Baked Clay reads slightly lighter (LRV 26 vs 14), a gap that shows most in low-lit rooms.



Baked Clay reads slightly lighter (LRV 26 vs 19), a gap that shows most in low-lit rooms.



Baked Clay reads slightly lighter (LRV 26 vs 17), a gap that shows most in low-lit rooms.
Color Codes
Manufacturer description
This deep, earthy orange wraps any room in its warm glow. We often see this hue used as the base of a Southwestern or rustic color scheme.

